Name: Home Video
Brand: Lucy Dacus

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2021-06-25

Format multiplier

Catalogue number

5208701

UPC / Barcode

191401173612

5208702

191401173629

Coloured Vinyl

5208711

191401173698

Artist

Lucy Dacus

Label EU

Matador

Genre EU

Alternative / Modern

U.S. independent label based in NYC; for company roles and copyrights please consider [l390562] for the USA, [l=Matador Records Ltd.] for the UK company division and the generic company profile relating to either legal entities [l=Matador Records (2)] 
[b]Note that while some Matador releases are exclusive to North America or Europe, they use one numbering system for all releases, so it is not necessary to enter them under separate labels.[/b]

The Matador label began in 1989 when [a=Chris Lombardi] dragged the Austrian duo H.P. Zinker into Wharton Tiers’ Fun City studio to record OLE-001, ...and there was light. Run out of Chris’ New York apartment, Lombardi added artists such as the Dustdevils, Railroad Jerk and Superchunk to the initial roster. Joined by longtime Homestead Records manager Gerard Cosloy in 1990, Matador experienced its first taste of crazed media attention & big sales with the North American release of Teenage Fanclub’s debut long-player, A Catholic Education. Over the years, the label has moved from shoebox sized offices to larger and larger complexes, the staff has grown from 2 to 24, and the roster has simply exploded. As well as functioning as the North American home to Pavement, Liz Phair and The Jon Spencer Blues Explosion, Matador has helped artists such as Yo La Tengo, Cat Power, Cornelius, Solex, Pizzicato Five, Helium and the Arsonists reach audiences worldwide.

Matador has also served as the North American licensee for a number of exceptional international acts, including Belle & Sebastian, Mogwai, Boards of Canada, Red Snapper, Arab Strap and others. Since 1996, Matador has maintained separate offices and staff in London. In addition to supervising the promotion, sales and marketing of Matador titles on the continent, Matador Europe has also licensed recordings from some of North America’s most acclaimed new artists, M. Ward, Sleater-Kinney, Modest Mouse, and Superchunk to name a few.

While Matador has often been characterized (not by the label itself) as an underground or "indie" rock label, over the years, the label’s musical direction has grown, to the point where many hip hop, electronic and experimental acts play as prominent a role in the label’s sound & future as any number of singer/songwriters and rock bands. Sometimes all of the above converge.

During the 1990s, Matador entered into partnerships with [l=Atlantic] and [l=Capitol Records]. In 1999, Lombardi & Cosloy purchased back Capitol's 49% share of the label, and in 2002, [l613604] purchased 50% of the legal entities behind the Matador label / imprint [l390562] and [l291335] and took over Matador's worldwide marketing.

Lucy Dacus is a talented musician hailing from Richmond, VA. With her captivating voice and introspective lyrics, she has quickly gained recognition in the music industry. Her unique blend of indie rock and folk influences creates a sound that is both haunting and beautiful. Lucy's debut album, "No Burden," received critical acclaim and established her as a rising star. Since then, she has continued to release thought-provoking music that resonates with listeners on a deep level. Whether performing live or recording in the studio, Lucy Dacus never fails to deliver an unforgettable musical experience.
Throughout her career, Lucy has collaborated with various artists and bands, further showcasing her versatility as a musician. Her powerful performances have captivated audiences at festivals and venues across the country. Lucy's ability to connect with her fans through her music is truly remarkable.
As an artist who constantly pushes boundaries and explores new sonic territories, Lucy Dacus continues to evolve creatively. Her passion for storytelling shines through in every song she writes. With each release, she invites listeners into her world, sharing personal experiences and emotions in a way that is relatable yet deeply profound.

Newest Listed Items

This new gift from Dacus, her third album, was built on an interrogation of her coming-of-age years in Richmond, VA. Many songs start the way a memoir might—“In the summer of ’07 I was sure I’d go to heaven, but I was hedging my bets at VBS”—and all of them have the compassion, humour, and honesty of the best autobiographical writing. Most importantly and mysteriously, this album displays Dacus’s ability to use the personal as portal into the universal. “I can’t hide behind generalizations or fiction anymore,” Dacus says, though talking about these songs, she admits, makes her ache. That Home Video arrives at the end of this locked down, fearful era seems as preordained as the messages within. “I don’t necessarily think that I’m supposed to understand the songs just because I made them,” Dacus says, “I feel like there’s this person who has been in me my whole life and I’m doing my best to represent them.” After more than a year of being homebound, in a time when screens and video calls were sometimes our only form of contact, looking backward was a natural habit for many. If we haven’t learned it already, this album is a gorgeous example of the transformative power of vulnerability. Dacus’s voice, both audible and on the page, has a healer’s power to soothe and ground and reckon.

Home Video

Music EU