Name: Music From Patch Cord Productions
Brand: Mort Garson

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2020-11-06

Format multiplier

Catalogue number

141850

UPC / Barcode

843563130032

141852

843563130087

Artist

Mort Garson

Label EU

Sacred Bones

Genre EU

Electronic

Sacred Bones Records is a New York label founded in 2007. With an impressive team including Taylor Brode as the general manager, [designer], [screen-printing artist], and [video maker], they have established themselves as a force to be reckoned with in the music industry.

Their catalogue number scheme includes various formats such as LPs, mail-order exclusives, mystery 12", flexi-discs, tapes, mixtapes, CDs, reissues, remixes, and releases specifically for the Japanese market. Each format is easily identifiable by its unique catalogue number.

With their informative and authoritative tone of voice, Sacred Bones Records has become a go-to label for music enthusiasts looking for diverse and high-quality releases across different formats. Explore their extensive catalogue and discover new sounds that will captivate your ears.

Sacred Bones Records

Mort Garson was a Canadian composer, bandleader, and songwriter. He was a classically trained musician and electronic researcher who started his career in the 1960s. Garson was among the first to experiment with the big Moog synthesizer and became known for his original sci-fi space age soundscapes.

His debut album, released in 1967, featured sonic analog-based compositions. In 1969, he released another album that showcased supernatural electronic moods, pulsating hypnotic effects, and moving synthesized textures. Garson's musical universe can be compared to kitsch moog pop soundscapes but with more mystical-cerebral-adventurous proportions.

In 1971, he released his most progressive album yet: lysergic electronic modulations met dark epic timbres. Mort Garson is considered one of the most notorious Canadian space electronic artists alongside other notable figures such as [Collaborated Artist] and [Collaborated Artist].

Newest Listed Items

Mort Garson’s road to cool cultural caché and the sublimity of Plantasia meant a decades’ long journey through an underworld of sophisticated, international, string-laced dreck (i.e., your great-grandparents’ record collection) to arrive at Music from Patch Cord Productions, this set of queasy-listening you now hold. Music from Patch Cord Productions shows that Garson’s knack was to exist in both worlds, super-commercial and waaay out. He cut delirious minute-long blasts for commercials (as to whether or not they were actually ever aired remains unknown) and spacecraft-hovering études. Were there really account managers out there in the early ’70s that gave the greenlight to these commercial compositions which seemed to anticipate everyone from John Carpenter to Suicide? What were these campaigns actually for, Soylent Green? Regardless, Mort’s jingle work laid the groundwork for the future. As Robert Moog himself noted: “The jingles were important because they domesticated the sound.” Via Garson’s wizardry, the synthesizer transcended novelty to ubiquity and dominance. Other curios and questions abound. How did Garson’s arrangement work for Arthur Prysock’s satiny body worship album This Is My Beloved transmogrify into the body-snatcher pulses of “This is My Beloved”? Are the two pieces even related? What is the IATA code for the airport of “Realizations of an Aeropolis”? What denomination is the “Cathedral of Pleasure”? If “Son of Blob” sounds like a hallucinatory melted ice cream truck theme, what on earth does Blob’s father sound like? Every sound wrangled out of that Moog by Garson pushes things further and further out. Of course, these are all questions that may never get answers, as Garson wasn’t the most organized modern day composer, busy as he was conjuring strange new realms with his circuit boards and synths. He worked and wrote right up until his death in 2008, his daughter and Sacred Bones still going through all of the material left behind. He wouldn’t live to see it, but his renaissance was just around the corner, the seeds that had been scattered in record bins around the world suddenly coming to bear fruit. Take a bite!

Music From Patch Cord Productions

Music EU