Name: Baby
Brand: Petrol Girls

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2022-07-01

Format multiplier

Catalogue number

152007

UPC / Barcode

5060626465244

Ltd.Baby Pink Vinyl

152005

5060626465213

Orange Vinyl

152006

5060626465220

Artist

Petrol Girls

Label EU

Hassle

Genre EU

Alternative / Modern

Petrol Girls is a post-hardcore band hailing from Bristol, United Kingdom. Formed in 2012, they have been making waves in the music scene with their powerful and energetic performances. With a unique blend of punk rock and feminist activism, Petrol Girls' music resonates with audiences worldwide. Their thought-provoking lyrics and raw sound make them a force to be reckoned with in the industry.
Since their inception, Petrol Girls has been actively pushing boundaries and challenging societal norms through their music. Their passion for social justice shines through in every song they create, addressing issues such as gender inequality, mental health, and political unrest.
With an impressive discography under their belt, including albums like "Talk of Violence" and "Cut & Stitch," Petrol Girls continues to captivate listeners with their unapologetic approach to punk rock. Whether it's on stage or offstage, this band never fails to leave a lasting impact on anyone who encounters their powerful message.

Newest Listed Items

Time is supposed to mellow us, but for Petrol Girls it has distilled their feminist politics into an ever more potent cocktail. Fitting, given that their logo from day one has been a flaming molotov. Since their formation in 2012, the band has been known for playing fast-paced, chaotic punk that takes aim at everything from sexual violence to immigration policy, but over the last few years their sound has evolved in a more nuanced direction. Their 2016 debut album Talk of Violence was a blast of pure political rage, while 2019’s Cut and Stitch saw vocalist Ren Aldridge exploring familiar themes from a more personal perspective. Now their latest offering, Baby – to be released through the London-based independent label Hassle – sees the band turn another new corner. This time, by embracing irreverence. “We wanted [this album] to be less epic and less preachy from day one,” Aldridge says. “I hate sanctimoniousness. Like, really fucking hate it. But I also know that I have been mega preachy, and felt very pressured to be sanctimonious, because we've always played in a very political punk scene. I lost my fun side, and I really needed to come back to that.” Recorded with Pete Miles at Middle Farm Studios in Devon, Baby embraces a more playful sound. A focus on groove and repetition – driven by guitarist Joe York, drummer Zock and bassist Robin Gatt – give the songs a Talking Heads feel, while retaining the band’s formative post-punk energy. The lyrics, too, are a departure for Aldridge. While she continues to address heavy topics like burn out, femicide and police violence, the lyrics balance directed anger with tongue-in-cheek humour where appropriate. Angular opener “Preachers” puts the self-aggrandising nature of call-out culture on blast with lyrics like “feeling dead important in the comments”, while lead single “Baby, I Had An Abortion” is intentionally puerile from title to finish. On the flip side, tracks like “Violent By Design” see the band kicking back against carceral feminism in the wake of a news cycle dominated by Black Lives Matter protests and PC Wayne Cousins’ brutal murder of Sarah Everard. Similarly, “Fight For Our Lives” – a harsh, borderline industrial song – was lyrically co-written by activist and vocalist Janey Starling. Aldridge deliberately wrote the verses to sound like a manifesto, and the lyrics reference Starling’s Dignity For Dead Women Campaign with Level Up, which successfully called for the UK media to change the way it reports on fatal incidents of domestic violence. Baby saw Petrol Girls working in new ways – scrapping entire songs rather than trying to force things that didn’t feel right, recording to tape for the first time, and deliberately leaving in imperfections. It was a more carefree process, which Aldridge – having gone through a particularly bad period of mental ill-health at the start of 2021 – welcomed. “Our whole thing for a long time, and a big focus of the last record, was making political struggle sustainable,” Aldridge says. “And I think having a good time where possible, and things being not totally serious all the time, is really essential.”

Baby

Music EU