Name: The New Romance (20th Anniversary)
Brand: Pretty Girls Make Graves

Tax rate EU

Default:19

Supplier EU

375 Media

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

White

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2023-11-03

Format multiplier

Catalogue number

OLE583LP

UPC / Barcode

744861058304

Artist

Pretty Girls Make Graves

Label EU

Matador

Genre EU

Alternative / Modern

U.S. independent label based in NYC; for company roles and copyrights please consider [l390562] for the USA, [l=Matador Records Ltd.] for the UK company division and the generic company profile relating to either legal entities [l=Matador Records (2)] 
[b]Note that while some Matador releases are exclusive to North America or Europe, they use one numbering system for all releases, so it is not necessary to enter them under separate labels.[/b]

The Matador label began in 1989 when [a=Chris Lombardi] dragged the Austrian duo H.P. Zinker into Wharton Tiers’ Fun City studio to record OLE-001, ...and there was light. Run out of Chris’ New York apartment, Lombardi added artists such as the Dustdevils, Railroad Jerk and Superchunk to the initial roster. Joined by longtime Homestead Records manager Gerard Cosloy in 1990, Matador experienced its first taste of crazed media attention & big sales with the North American release of Teenage Fanclub’s debut long-player, A Catholic Education. Over the years, the label has moved from shoebox sized offices to larger and larger complexes, the staff has grown from 2 to 24, and the roster has simply exploded. As well as functioning as the North American home to Pavement, Liz Phair and The Jon Spencer Blues Explosion, Matador has helped artists such as Yo La Tengo, Cat Power, Cornelius, Solex, Pizzicato Five, Helium and the Arsonists reach audiences worldwide.

Matador has also served as the North American licensee for a number of exceptional international acts, including Belle & Sebastian, Mogwai, Boards of Canada, Red Snapper, Arab Strap and others. Since 1996, Matador has maintained separate offices and staff in London. In addition to supervising the promotion, sales and marketing of Matador titles on the continent, Matador Europe has also licensed recordings from some of North America’s most acclaimed new artists, M. Ward, Sleater-Kinney, Modest Mouse, and Superchunk to name a few.

While Matador has often been characterized (not by the label itself) as an underground or "indie" rock label, over the years, the label’s musical direction has grown, to the point where many hip hop, electronic and experimental acts play as prominent a role in the label’s sound & future as any number of singer/songwriters and rock bands. Sometimes all of the above converge.

During the 1990s, Matador entered into partnerships with [l=Atlantic] and [l=Capitol Records]. In 1999, Lombardi & Cosloy purchased back Capitol's 49% share of the label, and in 2002, [l613604] purchased 50% of the legal entities behind the Matador label / imprint [l390562] and [l291335] and took over Matador's worldwide marketing.

Newest Listed Items

Back in print on white vinyl&nbsp; for the first time since 2003: The New Romance by Pretty Girls Make Graves, the latest installment of Matador’s ongoing catalog series Revisionist History.&nbsp; Pretty Girls Make Graves formed in Seattle in 2001, fused together out of the still glowing&nbsp;embers of nearly a dozen important groups.&nbsp;&nbsp;Andrea Zollo and Derek Fudesco had played together in Death Wish Kids and Area 51 along with Dann Gallucci, with whom Derek formed Murder City Devils.&nbsp;&nbsp;Shortly before the Murder City Devils called it quits, he and Andrea started Pretty Girls Make Graves with J. Clark (who was in Kill Sadie and Sharks Keep Moving) and Nick Dewitt and Nathan Thelen (both in Bee Hive Vaults).&nbsp;&nbsp; Brilliantly produced by Phil Ek&nbsp;(Modest Mouse, Built To Spill, Les Savy Fav), The New Romance magnifies Pretty Girls Make Graves’ songcraft and technical prowess while&nbsp;letting some air into their songs and keeping things in crisp focus.&nbsp;&nbsp;Every song on The New&nbsp;Romance is an anthem, yet without traditional verses and choruses. Tension builds and shifts without conventional release, as moments of glassy beauty and rousing aggression trade sides.&nbsp;

The New Romance (20th Anniversary)

Music EU