Name: Prophets Of Rage
Brand: Prophets Of Rage

Tax rate EU

Default:19

Supplier EU

Universal Music GmbH

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2017-09-15

Format multiplier

Catalogue number

7203276

UPC / Barcode

888072032767

Artist

Prophets Of Rage

Label EU

Caroline

Genre EU

Rock-Pop

Caroline Records is a renowned music label that has had an interesting history. Originally established as a European offshoot of Virgin in the 1970s, it was later revived in the 1980s as a distributor and pseudo-indie label under Virgin/EMI. In 2013, Universal Music brought back the brand through Capitol Music Group. Caroline Records serves as a label for various releases bearing the *Caroline* or *Caroline Records* brands, as well as fulfilling distributor and other company roles.

The catalog number formats used by Caroline have varied over time, with prefixes like *CAROL* and *CAR*. It is important to use these numbers exactly as they appear on the release to avoid any confusion. In recent years, Caroline also adopted the standard EMI numbering system alongside their CAROL-prefix numbers.

Similar to Island Records, Caroline has been inconsistent about incorporating the word "Records" into their logos and contact information throughout their history. However, on Discogs it is considered correct to always refer to them as *Caroline Records*, even if "Records" is not present. The oldest logo of Caroline was reintroduced for several new releases in the mid-2010s. While it may be more appropriate to omit "Records" from their name now, there are too many releases associated with this label to make such edits at this point.

Prophets of Rage

Newest Listed Items

With new producer Joshua Welton at the helm and much jamming in the studio, the album is Prince's most experimental and shapeshifting in years. There are sonic collages, mystical segments, dips into eastern-tinged funk ('Ain't About to Stop', with input from Rita Ora), big club bangers (the Latin-influenced 'Like a Mack'), ballads (a superior reworking of last year's 'This Could Be Us'), electronica and rock, as Prince inhabits familiar characters, from sensualist to dreamer to campaigner and even the more rarely heard humorist.

Music EU