Name: Agustin Pereyra Lucena
Brand: Agustin Pereyra Lucena

Bonus disc

Bonus disc: No

Catalogue number

FARO242LP

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2024-02-09

Signed copies

Signed copies: No

Supplier GB

Proper

Tax rate GB

Standard:20

UPC / Barcode

5065007965467

Total Cap

Black LP

FARO242CD

2024-03-01

5065007965474

Artist

Agustin Pereyra Lucena

Genre GB

Jazz

Label GB

Far Out Recordings

Far Out Recordings is a British independent record label based in London. It was established in 1994 by Joe Davis, a Brazilian music enthusiast. The label specializes in releasing high-quality Brazilian music from both new and established artists such as Joyce, Marcos Valle, Azymuth, Arthur Verocai, The Ipanemas, Sabrina Malheiros, Hermeto Pascoal, and Amaro Freitas. Additionally, Far Out Recordings also features talented British, European and American artists including Mark Pritchard, Nicola Conte Daniel Maunick Jneiro Jarel and Sean Khan. With its extensive catalog of diverse artists and genres, Far Out Recordings continues to be a leading force in the music industry.
Label Code: LC13735

Following Far Out's reissue of Agustin Pereyra Lucena Quartet's La Rana, the label continues its memorialisation of the late, great Argentinian guitarist's music, with the first ever direct from tape, audiophile reissue of Pereyra Lucena's self-titled debut album from 1970.&nbsp;He hailed from Buenos Aires, but was obsessed with the music of Brazil. A disciple of Antonio Carlos Jobim, Baden Powell and Vinicius De Moraes, the nature of Agustin's Argentinian roots combined with the nurture of Brazil and its music to give Agustin a sound entirely his own. After being scouted in a nightclub, by musician and guitar craftsman Jorge Demonte, Agustin was invited for an audition at Argenitinian label Tonodisc. Before he knew it, aged 22, he was in the studio recording his first album.

Agustin enlisted fellow Argentinian Brazilophiles Mario "Mojarra" Fernandez who played bass and drummer Enrique "Zurdo" Roizner. He had frst heard the duo backing Vinicius de Moraes, Toquinho and Maria Creuza on their legendary La Fusa live album, also recorded in Buenos Aires. For vocals, Agustin brought in his old friend, a French teacher called Helena Uriburu, who at the time had (unbelievably) never sung in a studio before.   The atypical bossas and spiritual swinging sambas, composed by many of Agustin's aforementioned heroes, were elevated to new heights by Agustin's dazzling arrangements and phenomenal guitar playing. The almost cosmic reaches Agustin achieved with his sound are balanced against the stylish sophistication and breezy nature of the music. 

  Moments of calm serenity include Agustin's own composition "Nina No Divagues", Durval Ferreira and Pedro Camargo's "Chuva" and the Brazilian bossa classic "Tristeza Nos Dois", which feels like it draws equally upon exotica and early library records. Accompanied by Roizner's shuffling samba jazz drums, opener "O Astronauta" is Agustin's cover of the Brazilian guitar standard composed by Baden Powell. Another Baden Powell classic, "Consolacao" is an extended full- band set, which features Agustin's crisp guitar dancing around a hypnotic rhythm section. Upright bass is swapped out for a big, round-sounding electric one, which sits loud in the mix for almost seven minutes of deep, groovy, distinctively early-seventies magic.

Music GB

Discover Agustin Pereyra Lucena by Agustin Pereyra Lucena. Far Out Recordings presents the first ever direct from tape, audiophile reissue of his self-titled debut album from 1970. Vinyl records, music, exclusive.