Name: Claude Debussy: Préludes
Brand: Alexei Lubimov

Bonus disc

Bonus disc: No

Catalogue number

4764735

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Colour

Colour details

Discogs ID

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Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2020-04-03

Signed copies

Signed copies: No

Supplier GB

Proper

Tax rate GB

Standard:20

UPC / Barcode

28947647355

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Total Cap

2 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Alexei Lubimov

Genre GB

Modern Composition

Label GB

ECM Records, also known as "The Creative Label," is a German independent label that was co-founded by producer Manfred Eicher, Manfred Scheffner, and Karl Egger in Munich (Pasing) in 1969. With the label code LC 2516 / LC 02516, ECM stands for Edition of Contemporary Music and focuses on jazz and Western classical music. They showcase both acoustic and electronic artists who produce eclectic versions of contemporary music.

ECM's extensive catalog features a wide range of genres, from contemporary works by renowned composers like Steve Reich, Arvo Pärt, and Philip Glass to experimental and electronic jazz from artists such as Nils Petter Molvær, Pat Metheny Group, and Jan Garbarek. Over the past 40+ years, ECM has released more than 1500 recordings that have been acclaimed for their exceptional music quality, creative production techniques, and outstanding sound.

Although an independent label, ECM titles are distributed by Universal Music Group (UMG) in the US, Japan, and throughout Europe. However, they have also collaborated with other distributors over the years. Notably during the period when Polydor distributed ECM products in Germany; [l447694] was used for pressing identified by a CP suffix on labels and runouts. Afterward,[l25946] became their primary distributor.

Debussy is closer to the expressionism of Schoenberg than to the chiselled sonorities of a Chopin or the extravagant virtuosity of a Liszt, even if his refined art can still be seen in the line of tradition of 19th-century music. This is frequently forgotten in the interpretation as well as the assessment of his oeuvre. Debussy himself decried the concept of musical impressionism because he feared, rightly, that superficial refinement would degenerate into musical mist, concealing the subtleties of a new musical idiom and its structural logic. Thus, for example, instead of heading his 24 “Préludes” in two books with programmatic titles in his autograph score, he appended them at the bottom of the individual pieces. Perhaps, even though their popularity makes it almost impossible, we ought simply to forget about the titles when playing or listening to these pieces and recall something else that Debussy once said: “Music is a free art gushing forth, an open-air art boundless as the elements, the wind, the sky, the sea.” It is in this manner – sans rigeur, as Debussy repeatedly marked his music – that Alexei Lubimov plays the “Préludes”. The recording also contains the “Trois Nocturnes” in Maurice Ravel’s two-piano transcription as well as a two-piano arrangement of Debussy’s seminal orchestral masterpiece, the “Prélude à l’après-midi d’un faune”.

Claude Debussy: Préludes

Music GB