Name: Ancient Plastix
Brand: Ancient Plastix

Bonus disc

Bonus disc: No

Catalogue number

MDR42X

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Colour

Clear

Colour details

Transparent.

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Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-03-11

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

5053760085287

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / clear

Artist

Ancient Plastix 

Genre GB

Modern Composition

Label GB

Maple Death

Maple Death Records is an independent record label founded by Jonathan Clancy in 2015. Originally based in Bologna, Italy, the label is now located in both London, England and Bologna. Maple Death Records is known for its commitment to showcasing unique and innovative music from a diverse range of artists.

The label has gained recognition for its distinctive sound and uncompromising approach to releasing music. With a focus on underground and experimental genres, Maple Death Records has become a platform for emerging talent as well as established artists who push boundaries.

Distributed by The Business and Republic Of Music, Maple Death Records continues to make waves in the music industry with its carefully curated releases. Whether you're a fan of *Jonathan Clancy* or other talented musicians on the label, you can expect nothing less than exceptional sonic experiences from Maple Death Records.

In a perennial maze, paths and dreams carefully designed through repetition, a puzzle through which one has to find a way. Liverpool’s producer and composer Ancient Plastix’ self titled debut and first release for Maple Death presents immaculate soundscapes with a surgical and sharp sense of rhythm and pace, a gentle mechanical heart that carries the album through infinity and beyond. Paul Rafferty, the mind behind Ancient Plastix, recorded ‘S/T’ alone, in the summer of 2019 using just a Tascam 414, a cheap Yamaha synthesiser and a small collection of guitar pedals, working spontaneously and linearly, seeking to conjure the similar feelings of adventure and discovery that he experienced when using the 414 as a teenager in the 90s. Without the burden of screen squashed waveforms interfering, the neo-ambient compositions took on an independent analog life, picking up grain and density, sounds gently undulating as if they were breathing machines, freewheeling arrangements that contain instinct, plot and execution. Late Summer Low, the opening mood piece, sets the tone, a string of sad weird lonely islands in a forgotten sea fluctuating in a perfectly orchestrated mechanism. Rafferty’s delicate synthwork recalls the grace and bliss of Japanese ambient pioneers Yasuaki Shimizu and Hiroshi Yoshimura, where circular figures are allowed to dance (Endurance Dream) in unison, forming clockwork patterns (Dead Body Drawing) and meditative elegies (Aging Edges, The Yellowed Grass). What is stunning about Ancient Plastix’ nightly debut is how fully formed the song structures are, essentially distinctly scoring an evocative soundtrack to an imagined neo-noir movie that slowly moves between industrial landscapes (Cursed Space) and fog wrapped coniferous forests (The Dream Within The Dream Within). A light eerie presence hovers across, continuously challenging an album that sounds hopeful, even romantic, an inside game where both the ambient melancholy of Marc Barreca and the Carpenterian horror soundtrack work of Tim Krog can be heard making this debut an immersive, cohesive piece of work, where restriction leads to extension.

Ancient Plastix

Music GB