Name: Splendor and Misery
Brand: Clipping

Bonus disc

Bonus disc: No

Catalogue number

spcd1173

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Sub Pop Label of the Month - September 2016 - Free 12" Sampler with purchase while stocks last

Format Music GB

Limited edition

Release date

2016-09-09

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

Standard:20

UPC / Barcode

98787117325

Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

sp1173

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0098787117318

{"blocks": [{"data": {"text": "0098787117318"}, "type": "paragraph"}]}

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Clipping

Genre GB

Hip Hop

Label GB

Sub Pop

<p>Clipping is an experimental hip-hop group known for their innovative sound and thought-provoking lyrics. Formed in 2009, the trio consists of rapper Daveed Diggs, producers William Hutson and Jonathan Snipes. With a unique blend of industrial noise, glitchy beats, and socially conscious rhymes, Clipping has gained critical acclaim and a dedicated fan base. Their albums tackle themes such as race, identity, and politics with raw intensity and artistic flair. Whether it's through their powerful live performances or boundary-pushing studio recordings, Clipping continues to push the boundaries of what hip-hop can be.</p>

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

Since the release of 'Clppng', things have changed for the band -William finished his Phd in Theater and Performance Studies with a dissertation on experimental music, Jonathan composed scores for the films Starry Eyes, The Nightmare, Excess Flesh, and Contracted: Phase II, and Daveed hit Broadway. Their activities outside Clipping have always influenced their work in the band, but never as much as in the creation of 'Splendor and Misery'. 'Splendor and Misery' is an Afrofuturist, dystopian concept album that follows the sole survivor of a slave uprising on an interstellar cargo ship, and the onboard computer that falls in love with him. Thinking he is alone and lost in space, the character discovers music in the ship's shuddering hull and chirping instrument panels. William and Jonathan's tracks draw an imaginary sonic map of the ship's decks, hallways, and quarters, while Daveed's lyrics ride the rhythms produced by its engines and machinery. I

Splendor and Misery

Music GB