Bonus disc

Bonus disc: No

Catalogue number

FATLP167

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

With Printed Inner.

Format Music GB

Limited edition

Release date

2023-05-05

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

0600116516718

Total Cap

Black LP

Artist

Comfort

Genre GB

Alternative / Modern

Label GB

Fat Cat

Fat Cat is an electronica, noise, and post-rock label based in Brighton, UK. Originally a record shop in the early '90s, the label was established when the shop closed down in 1997 with support from [l311].

Renowned for their distinctive series of releases such as the "7" Series", "10" Series", "12" Series", "Splinter Series", "Remix Series", and "E-RMX Series," Fat Cat has left a significant mark on the music industry. For more instrumental orchestral-type releases, they also operate a sublabel called [l=130701], named after its inception date: 13 July 2001.

With numerous notable artists under their belt, Fat Cat Records continues to be at the forefront of cutting-edge music production and distribution.

Back In Stock

Inimitable Glasgow sibling duo comfort return with their highly anticipated new album What’s Bad Enough?.

The album comes on the heels of the band’s genre-defying FatCat debut
“All Fears, Fully Formed” EP, which came out last year and saw the duo
further push the envelope of the uncompromising beat-driven sound.
Having developed their sound through years of intensive writing and
performing in spaces aligned with Glasgow’s queer / punk scene, the
band’s infectious energy and raw messages have seen them earn early
plaudits at press both on record and for the sheer power of their live
shows, having played alongside the likes of Armand Hammer, Goat Girl
and Protomartyr.


Recorded with Tony Doogan (Mogwai, Belle and Sebastian, Teenage
Fanclub) at Castle of Doom studios in Glasgow, the lead single “Real
Woman” is an uplifting and unashamedly confident track about front-
woman Natalie’s existence as a transwoman. Melding glitchy electronics
and propulsive off-kilter beats with angular leftfield hip-hop vocals,
the new single musically picks up where their latest EP left off, whilst
continuing to explore deep-rooted systemic social issues and reductive
ideologies around sexuality and identity.


What’s Bad Enough?

Music GB