Bonus disc

Bonus disc: No

Catalogue number

SPINE859511

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2023-04-14

Signed copies

Signed copies: No

Supplier GB

Universal

Tax rate GB

Standard:20

UPC / Barcode

0602448595119

Total Cap

Black LPx2

Artist

Crown Lands

Genre GB

Metal

Label GB

Spinefarm

Spinefarm is a Finnish record label that was founded in 1990 by Riku Pääkkönen. Originally starting as a mailorder and distribution company for rock and metal releases, Spinefarm quickly expanded to release albums from Finnish metal bands. In 2002, Spinefarm became part of Universal Music when Universal Music Oy became the majority shareholder of Spin-Farm Oy, the record company that runs Spinefarm. In 2005, Universal bought the entire company and merged it with Universal Music Oy on December 31st, 2014.

Although founder Riku Pääkkönen left the company in 2011, he continued working on [l532289], a sub-label of Spinefarm. With two regional offices outside of Finland - Spinefarm UK in London and Spinefarm US in New York - they cover other territories through Caroline/Universal Music or local distribution partners.

Known for their expertise in distribution, Spinefarm has been credited under their name for various releases. With their rich history and strong ties to the metal music scene, Spinefarm remains an influential force within the industry.

Crown Lands have 
always been a study in contrasts—and that goes beyond the unique 
cultural composition of Jewish multi-instrumentalist Kevin Comeau 
(he/him) and Two- Spirited Mi'kmaq singer/drummer Cody Bowles 
(they/them). On their 2020 self-titled debut album, Crown Lands 
resembled a raw blues-rock power duo harbouring latent prog- ock 
affinities, vacillating between dirty boogie grinds and pastoral 
reveries. But on Fearless, the Oshawa, Ontario, group doesn't sound so 
conflicted—because they've fully and unapologetically surrendered to 
their rock-opera ambitions. "We live in a world of 15- second bite-sized
 clips," Comeau tells. "But there's a storytelling format within the 
multi-part suite that just really captures our imagination. And that's 
why we're trying to preserve that art form and carry that torch."

Fearless

Music GB