Name: The Buddha of Suburbia
Brand: David Bowie

Bonus disc

Bonus disc: No

Catalogue number

0190295253400

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-08-05

Signed copies

Signed copies: No

Supplier GB

Warner Music Group

Tax rate GB

Standard:20

UPC / Barcode

Total Cap

2 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

0190295253417

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

David Bowie

Genre GB

Classic

Label GB

Parlophone

David Bowie, born on 8 January 1947 in Brixton, London, England, UK and died on 10 January 2016 in Manhattan, New York City, USA at the age of 69. He was a British pop/rock singer, musician, songwriter, and actor. Bowie is widely regarded as one of the most respected contemporary musicians of his time and is considered to be one of the most influential musicians of the 20th century.Bowie's contributions to the music industry have made him a leading figure in popular culture. His innovative style and unique sound have left an indelible mark on generations of artists and fans alike. With his extensive discography spanning various genres and his iconic alter egos such as Ziggy Stardust and The Thin White Duke, Bowie's artistic vision continues to inspire and captivate audiences worldwide.

Multinational label.
Label Code: [b]LC 0299 / LC 00299[/b]
[b]Please note, many Parlophone issues also carry an EMI logo. This is not a label and EMI should not be added as a label, it instead indicates that Parlophone was part of the EMI Group.[/b]

Parlophone is an anglicization of the German [l=Parlophon] label, registered as a trademark in 1902 by Max Straus and Heinrich Zuntz of [b]Salon Kinematograph Co. GmbH[/b], later merged into [l=Carl Lindström A.-G.]. The first Parlophon records are pressed in 1910. 

By 1923, Parlophone proper appears in London administered by English Lindström branch known as [l311921],  Parlophon records were pressed in London and sold locally. By 1926 extended operations extended to press for export in Australia (#cat A) until the australian factory [l=Parlophone Co. Ltd.] was created somewhere the next year. These companies were subsequently taken over by [l97841] in 1927, following its acquisition of [l275192] in 1926, thus becoming a constituent part of [l293204] (EMI) when that company merged with [l253617] in 1931.

The label largely operated as a Jazz and Novelty label until manager, [a=George Martin], signed the [a=The Beatles] in 1962. As a result of its subsequent success and profile, the label was earmarked for phasing out in 1973 in favour of [l=EMI] (the label), however the parlophone imprint continued to be used by registered trademark owner [l=EMI Records Ltd.] and affiliated companies.

In September 2012 following the acquisition of [l1330982]'s US and Asian interests by [l=Universal Music Group], Parlophone and the former EMI Records Ltd. were merged as the [l806790] (PLG Holdco Ltd.) and spun off to be sold. 

They were sold to [l=Warner Music Group] in March 2013.
The Parlophone label is now owned by [l=Parlophone Records Ltd.], the re-named EMI Records Ltd., itself a subsidiary of [l=Warner Music International].

The Beatles were not part of the Parlophone Label Group and their catalogue was acquired by [l=Universal].

[b]This label contains releases on multinational markets. Do NOT create imprints for different countries. Cover that information on new releases with the country field and with notes about the release (releasing company, ℗&© note, mechanical rights etc.).[/b]

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The Buddha of Suburbia is the 19th album by David Bowie, originally released on 8 November 1993 through Arista Records. It's rough, and has an air of the deliberately unfinished about it. Had it not been linked with Hanif Kureishi's exemplary dramatisation of his book and Bowie called it something like Strangers, it would have been retrospectively given a great deal more air and talked about being the belated follow-up to Low and Heroes. Because the pressure was to an extent, off, it left Bowie free to score a soundtrack, pay homage to himself and his roots while rifling through various stages of his career.

Working in partnership with Erdal Kizilcay with David Richards engineering and programming, Bowie returned to strange, alien landscapes. The supper jazz of "South Horizon" - complete with Mike Garson's customary overwrought tinkling; the great Bowie pop of "Strangers When We Meet" (the interpretation on 1:Outside may be better, but this is still touching) and the two versions of the title track; one tender and the other triumphant with Lenny Kravitz doing his best Stevie Ray Vaughn.

The Buddha of Suburbia

Music GB