Name: Die Nerven
Brand: Die Nerven

Bonus disc

Bonus disc: No

Catalogue number

GRLP1080ORNG

Colour

Orange

Colour details

Transparent Orange

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2023-06-02

Signed copies

Signed copies: No

Supplier GB

Shellshock

Tax rate GB

Standard:20

UPC / Barcode

4015698109030

Total Cap

Orange LP

Artist

Die Nerven

Genre GB

Alternative / Modern

Label GB

Glitterhouse

Glitterhouse is a music label owned by Reinhard Holstein. Founded in 1981 by Holstein and Rembert Stiewe, the label started as a fanzine called "The Glitterhouse" that focused on 60's garage and psychedelia, punk extensions, weirdo folk, and similar genres. Over the years, Glitterhouse has released music from German artists such as *Surfin' Dead*, *The Strangemen*, and *Shiny Gnomes*. In 1987, Glitterhouse began a cooperation with Seattle-based record label Sub Pop, which led to increased popularity and market position for both labels. This partnership allowed Glitterhouse to distribute records from bands like Nirvana and Soundgarden in Europe.

In addition to working with Sub Pop, Glitterhouse also distributed products from Amphetamine Reptile Records in Europe. However, this collaboration ended when Glitterhouse no longer identified with the musical content of the American noise label. Despite this setback, Glitterhouse continued to publish its own signings including *Monster Magnet*, *Sylvia Juncosa*, *Sister Double Happiness*, and *Bitch Magnet*.

Since 1994, Glitterhouse has expanded its roster to include alternative rock bands from Scandinavia and England. The label now covers a wide range of musical styles including widescreen-pop, indie-electronica, avant-garde, dark indie folk, rock,

So a black album, self-titled. No wolf adorns the cover, no: a black Shepherd Dog in front of a black background. 

Die Nerven is also a mood picture. And in the consistent vocabulary reduction of their lyrics, which remain vague enough to set impulses in the chaotic complexity of the present, the music has also become a mouthpiece for discomfort with which one can identify in each of their pieces: DIE NERVEN, which are ten in form and content accomplished contemplations of the present with foam at the mouth, which are finally written as simplified narratives with sharpie on a white T-shirt, so that the colour presses through and perpetuates itself on the chest pumping upset between anger and fear.

Music GB