Name: Underwater Jams
Brand: Edward

Bonus disc

Bonus disc: No

Catalogue number

DFA2618LP

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2019-05-24

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

Standard:20

UPC / Barcode

829732261813

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Total Cap

1 / 12" / Extended format: No / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Edward

Genre GB

Techno / Electro

Label GB

Death From Above (DFA) is a punk funk record label founded by James Murphy, Tim Goldsworthy, and Jonathan Galkin. The label's name was inspired by Murphy's nickname for his punishing tour PA set up while working as the live sound engineer for [a472959]. Since its establishment, DFA has become synonymous with innovative and boundary-pushing music.

DFA was born out of a passion for merging punk and funk genres, resulting in a unique sound that captivates listeners. With an impressive roster of talented artists, including LCD Soundsystem and many others, the label continues to push the boundaries of what is possible in music.

Known for their authoritative presence in the industry, DFA remains at the forefront of discovering new talent and releasing groundbreaking albums. Their commitment to quality and creativity has solidified their reputation as one of the most influential labels in contemporary music.

On his DFA debut, German experimental techno producer Edward largely departs from the 4/4 grid he frequents and blurs the focus towards a more slippery, improvisational vibe. Fans of his Desert Sky alias, as well as his work reshaping classic tracks by Harmonia and Eno and Rolf Trostel of Tangerine Dream, will be quite pleased with Underwater Jams. These two new songs unfold at their leisure, going off on whizzing, kosmiche-influenced tangents, all the while guided by the hand drums of percussionist Geronimo Dehler. On A-side The Lagoon, the freedom of the long-form composition allows Edward to go deeper and more mesmeric, while the restrained stomp of B-side Mental Dive allows for an introspective dance floor moment.

Though he’s been releasing music for the past decade, Edward has always been a bit enigmatic, with a majority of his discography only available on vinyl. He remains as prolific as ever – in the last year alone, Edward has toured all over the world, playing esteemed clubs from Berghain to Fabric, and splitting bills with artists like Ricardo Villalobos and Oskar Offermann. His numerous releases on Giegling, Die Orakel, and White demonstrate his penchant for combining the psychedelic and the locked-in groove, but it’s the sprawling sense of adventure that makes this release one of the more idiosyncratic in Edward’s catalog. 

Underwater Jams

Music GB