Name: Guitar and Voice
Brand: Eric Chenaux

Bonus disc

Bonus disc: No

Catalogue number

cst088lp

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Colour details

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Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2012-03-26

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

Standard:20

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Eric Chenaux

Genre GB

Label GB

Eric Chenaux is a Canadian guitarist known for his unique and captivating musical style. With influences ranging from folk to experimental, Chenaux has carved out a distinct sound that sets him apart from his contemporaries. His intricate guitar work and soulful vocals have earned him comparisons to artists such as Sandro Perri, Black Ox Orkestar, and Oren Ambarchi.

Chenaux's music is both innovative and accessible, combining elements of avant-garde experimentation with heartfelt melodies. He has collaborated with renowned musicians like David Grubbs, Bill Orcutt, and Emmanuelle Parrenin, further showcasing his versatility as an artist.

Listeners can expect to be transported into a world of sonic exploration when experiencing *Eric Chenaux's* music. Whether it's the ethereal sounds of Laura Cannell or the introspective compositions of Richard Youngs, fans of experimental folk will find much to appreciate in Chenaux's discography.

eric chenaux is one of canada's most respected, long-standing experimental guitar players and songwriters. starting with legendary toronto punk band phleg camp in the early 90s, he has tirelessly expanded his musical vocabulary in countless improv, avant-folk, damaged jazz and contemporary music ensembles throughout the 2000s. with this fourth album for constellation, simply and aptly titled 'guitar &amp; voice,' chenaux has made what in a literal sense can be called his first solo album, in that this recording features only his playing and singing; no guest or supporting musicians, minimal overdubs, and a rigorous structure that alternates back and forth between longform, mostly vocal-based tunes and shorter, cacophonously harmonious bowed-guitar instrumentals. chenaux sees the entirety of 'guitar &amp; voice' as balladry. the album's four tunes with singing are clearly ballads, but filtered through chenaux's uniquely distorted, refracted, genre-defying lens. jazz, consort-music, free/improv, scottish folk, psych / noise, medieval, baroque and pop influences do not so much compete as synthesise in various ways across these four songs. heartbreaking lyrics delivered in chenaux's strong but gentle lilt are set against an ever-shifting array of sounds and strategies elicited from acoustic nylon-string guitar (with the help of a small but expertly-deployed chain of wah-, freeze- and fuzz-pedals). traditional song structure and lyrical arcs manage somehow to anchor themselves to constantly surprising, unpredictable and virtuosic contrapuntal guitar work, always playing at/with the threshold of sonic experimentation and improvisation. chenaux's ballads sound like no other.

Guitar and Voice

Music GB