Name: Head First
Brand: Goldfrapp

Bonus disc

Bonus disc: No

Catalogue number

5099962621212

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2024-05-01

Signed copies

Signed copies: No

Supplier GB

Warner Music Group

Tax rate GB

Standard:20

UPC / Barcode

Total Cap

9999

Black LP

4050538673753

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Purple

Magenta 

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Extended format: Yes

Housed in Gatefold Sleeve with Art Print.

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1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / purple

5099962621229

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2010-03-22

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Goldfrapp

Genre GB

Label GB

BMG Rights Management, formerly known as Bertelsmann Music Group, is a global music conglomerate with a rich history in the industry. Originally formed in 1985 as a joint venture between Bertelsmann AG and RCA, BMG has since evolved into a powerhouse of music production and distribution.

In 1986, Bertelsmann acquired full ownership of RCA and Arista Records through the purchase of their joint venture's stock from General Electric. The following year, these labels were merged under the umbrella of Bertelsmann Music Group (BMG), solidifying its position as a major player in the music world.

In 2004, BMG joined forces with Sony Music to create Sony BMG Music Entertainment. However, in 2008, Bertelsmann sold its stake in the company, leading to the formation of BMG Rights Management. Today, BMG continues to thrive as a leading record label and distributor worldwide.

Goldfrapp is an English electronic music duo that was formed in 1999 in London. The duo consists of Alison Goldfrapp on vocals and synthesizer, and Will Gregory on synthesizer. With their unique blend of electronic sounds and captivating vocals, Goldfrapp has become a prominent figure in the music industry. Their innovative approach to music has earned them critical acclaim and a dedicated fan base worldwide.
Alison Goldfrapp's mesmerizing voice combined with Will Gregory's skillful synth work creates a sound that is both ethereal and powerful. Their music spans across various genres including electronic, pop, and dance, making it accessible to a wide range of listeners.
Since their formation, Goldfrapp has released several successful albums such as "Felt Mountain," "Supernature," and "Seventh Tree." They have received numerous awards for their contributions to the music industry, including multiple BRIT Awards nominations.

Goldfrapp stepped off the dancefloor with The Seventh Tree’s folky reveries, but the duo couldn’t stay away for long. Head First dives into luscious, eminently danceable synth pop that's almost as far removed from the sleek shuffle beats of Black Cherry and Supernature as their previous album was. This time, Alison Goldfrapp and Will Gregory look to the ‘80s for inspiration, but not the brittle sound that was fashionable to ape in the late 2000s, like La Roux and Little Boots. Instead, they explore the uber-glossy productions, staccato melodies, and dramatic key shifts that were the hallmarks of anthems that some might not want to admit they liked decades later.

The influence of Giorgio Moroder and Italo-disco in general can be heard throughout Head First, but ABBA and especially Xanadu-era Olivia Newton-John are even more prominent (the cover of “Physical” that appeared between Felt Mountain and Black Cherry feels more prescient with each album Goldfrapp releases). The pair makes more of these sounds than just pastiche, although the finesse with which they re-create this distinctive sound will give listeners serious déjà vu. Even the album’s length and structure feel retro: Head First is a svelte nine songs long, with the singles on its A-side and ballads on the B-side. And the singles -- particularly the first three -- are some of Goldfrapp’s most irresistible songs yet: “Rocket”’s driving minor-key verses and huge, shimmering choruses tap into the brain’s pleasure center as efficiently as possible; “Believer” sounds instantly familiar, but not tired or obvious; and “Alive” channels ABBA with percolating guitars, warm keyboards and synths that sparkle like a shower of glitter. If the album seems somewhat slight, it’s purposefully so: Head First is a love letter to the frothy, fleeting, but very vital joys of pop music.

Head First

Music GB

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