Esteemed composer and pianist Henrik Lindstrand with his new album Klangland, recorded in Berlin by engineer Francesco Donadello and conducted by The London Contemporary Orchestra’s Robert Ames. Following the release of his lauded solo piano trilogy, Henrik Lindstrand felt the need to expand his vision, in doing so he embarked on his most challenging sonic journey to date in a bid to discover new instrumental narratives and ways to convey emotion through concentrated melody alone. It’s a hunt that has defined his musical career so far, and on Klangland, his fourth studio album, he took an exacting approach to the process, utilizing a stirring 16-piece string section. “This album has definitely been my most ambitious work so far” he tells us, “I knew that I was going to get out of the piano-only dogma that I had on the trilogy. And I was excited to involve other instruments, but I didn't know beforehand where I was heading. It took a lot of effort over a couple of months before I ended up with the idea of including a string ensemble, I did lots of experimenting with a wide range of sound sources, and tried to broaden my palette as much as possible”.