Name: Our Endless Numbered Days (Deluxe)
Brand: Iron and Wine

Bonus disc

Bonus disc: No

Catalogue number

SP1288

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Double Black Vinyl with Download.

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Format Music GB

Limited edition

Release date

2019-03-22

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

098787128819

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Total Cap

2 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

SP1288X

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[r13376640]

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Extended format: Yes

Limited Double Loser Dark Green Opaque Vinyl with Download.

4059251311072

{"blocks": [{"data": {"text": "4059251311072"}, "type": "paragraph"}]}

2 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No

SPCD1288

{"blocks": [{"data": {"text": "SPCD1288"}, "type": "paragraph"}]}

0098787128826

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Iron and Wine

Genre GB

Singer Songwriter

Label GB

Sub Pop

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

Sam Beam, aka Iron and Wine, released Our Endless Numbered Days, his second in March of 2004. It followed his hushed, literate, intimate, melodic, 2002 debut album, The Creek Drank the Cradle, a quiet treasure which, with its unaffected candor and depth, found fans all over. Our Endless Numbered Days was recorded both at Sam’s Miami home and in Chicago’s Engine Studios with Brian Deck (Red Red Meat, Modest Mouse, Ugly Casanova, etc.) On it, Sam is aided and abetted by his then touring and recording conspirators: his sister Sarah Beam, Patrick McKinney, Jeff McGriff, EJ Holowicki, and Jonathon Bradley. Listening to Our Endless Numbered Days makes plain Sam’s deft touch with words and melody; one that allows him to turn out stories about love, loss, faith, or the lack of it that are at once personal and universal, set to music that is sweetly haunting and timeless. Our Endless Numbered Days is the first Iron and Wine album to be recorded in a professional studio, and it has sold over 460,000 copies (556,000+ including streaming) as of December, 2018. This reissue features the original album, plus eight previously unreleased demo versions and a 12-page booklet with an essay about the album by Amanda Petrusich.

2LP+ - Limited Double Loser Dark Green Opaque Vinyl with Download.