Name: Your Love is Not Good
Brand: Johanna Hedva

Bonus disc

Bonus disc: No

Catalogue number

9781913505660

Colour

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format Books GB

Hardback

Format detail

Limited edition

Release date

2023-05-23

Signed copies

Signed copies: No

Supplier GB

Ingram Publisher Services UK

Tax rate GB

UPC / Barcode

Artist

Johanna Hedva

Genre GB

Writing

Label GB

Inpress Books

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An artist of colour becomes obsessed a white model in a novel with the glamour of Clarice Lispector and the viscerality of Han Kang.

At an otherwise forgettable party in Los Angeles, a young Korean American painter spots a woman who instantly controls the room: gorgeous and distant and utterly white, the centre of everyone’s attention. Haunted into adulthood by her Korean father’s abandonment of his family, as well as the spectre of her beguiling, abusive white mother, the painter finds herself caught in a perfect trap. She wants Hanne, or wants to be her, or to sully her, or destroy her, or consume her, or some confusion of all the above. Since she’s an artist, she willuse art to get closer to Hanne, beginning a series of paintings with her new muse as model. As for Hanne, what does she want? Her whiteness seems sometimes as cruel as a new sheet of paper. When the paintings of Hanne become a hit, resulting in the artist’s first sold-out show, she resolves to bring her new muse with her to Berlin, to continue their work, and her seduction. But, just when the painter is on the verge of her long sought-after breakthrough, a petition started by a Black performance artist&nbsp;begins making the rounds in the art community, calling for the boycott of major museums and art galleries for their imperialist and racist practices. Torn between her desire to support the petition, to be a success, and to possess Hanne, the painter, and her reality, become more unstable and disorienting, unwilling to cut loose any one of her warring ambitions, yet unable to accommodate them all. Is it any wonder so many artists self-destruct so spectacularly? Is it perhaps just a bit exciting to think she could too?

Your Love is Not Good

Books GB