Name: At Carnegie Hall
Brand: John Coltrane

Bonus disc

Bonus disc: No

Catalogue number

5793871

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

180 Gram Double Vinyl.

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Format Music GB

Limited edition

Release date

2018-01-19

Signed copies

Signed copies: No

Supplier GB

Universal

Tax rate GB

Standard:20

UPC / Barcode

00602557938715

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Total Cap

2 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

John Coltrane

Genre GB

Jazz

Label GB

Blue Note

Blue Note is a record label that has made a significant impact in the jazz genre. Founded in 1939 by Alfred Lion and Max Margulis, Blue Note focused on traditional jazz and swing recordings, producing timeless classics. In the 1950s, it became one of the first labels to feature bop musicians. After being acquired by *Universal Music Group* in 1965, Blue Note expanded its repertoire to include more commercially-oriented music like jazz-fusion. Throughout the years, Blue Note underwent various changes in ownership and reissue programs but continued to release new recordings and previously unreleased material.

In 1982, Blue Note catalog reissues began appearing on *United Artists Records*, which was owned by Michael Cuscuna who oversaw the UA-era reissue program. The label was later relaunched as part of *Capitol-EMI's* subsidiary *Manhattan Records* in 1985. It was during this time that Blue Note released key albums from its history and introduced previously unissued material.

In 1989, Blue Note became the division under which all of Capitol-EMI's jazz activities were organized. However, two years later, *Manhattan Records* was revived for smooth jazz and pop-jazz releases while Blue Note continued to thrive as a prominent label within Capitol-EMI's roster.

John Coltrane was an American saxophonist and jazz composer. He was one of the most influential musicians of the twentieth century, known for his contributions to bebop, hardbop, modal jazz, and free jazz. Coltrane recorded over fifty albums as a leader and collaborated with legendary artists such as Miles Davis and Thelonious Monk. His music evolved to become increasingly spiritual throughout his life. Recognized for his masterful improvisation and iconic centrality to the history of jazz, Coltrane received numerous awards including a posthumous special citation from the Pulitzer Prize Board in 2007.Born on September 23, 1926 in Hamlet, North Carolina, USA, John Coltrane passed away on July 17, 1967 at the age of forty due to liver cancer. Despite his untimely death, his legacy continues to inspire generations of musicians.Coltrane's musical journey extended beyond himself; he married pianist Alice Coltrane and their son Ravi Coltrane followed in his father's footsteps as a talented saxophonist.

Larry Appelbaum, the recording lab supervisor at the Library of Congress, came across this tape by accident while transferring the library's tape archive to digital. What a find. Forget the Five Spot recording that sounds like it was recorded inside of a tunnel from the far end. The sound here is wonderfully present and contemporary. More importantly, this band - which also included drummer Shadow Wilson and bassist Ahmed Abdul-Malik - had it right on November 29, 1957, at Carnegie Hall. The John Coltrane on this date is far more assured than he had been four months earlier on the Five Spot date and on the initial Prestige side Thelonious Monk with John Coltrane. He'd been with Monk for four months and had absorbed his complex, multivalent musical system completely. It's clear from the opening track, Monk's Mood, where the pair play in duet, that Coltrane is confident and moving into his own. Monk feels that confidence with his nearly Baroque entrance on the tune. This is a hard-swinging band with two front-line players who know how to get the best from one another. Coltrane knows the music inside out and his solos reflect an early version of his sheets of sound methodology. Check the joyous Crepuscule with Nellie for the hard evidence. Coltrane's cue and Monk's arpeggios are wondrous, swinging, and full of fire and joy. Trane's fills on the melody that leads into his solo are simply revelatory, and the solo itself is brilliant. Or check Wilson's cymbal work on Nutty before the band kicks it in full force. Even on the knottiest of Monk's tunes, Epistrophy, Trane shines and takes charge of his instrument while being utterly receptive to the continual shape-shifting Monk put into his compositions in a live setting. There are nine tunes here (an incomplete version of Epistrophy finishes the set) taken from early and late performances. These 51 minutes of music leave the Live at the Five Spot date in the dust. This is one of those "historic" recordings that becomes an instant classic and is one of the truly great finds in jazz lore. It documents a fine band with its members at the peak of their powers together. The package also contains voluminous liner notes by the likes of Ira Gitler, Amiri Baraka, Ashley Khan, Stanley Crouch, and others. This is a must-have.

At Carnegie Hall

Music GB