Name: Endless Garbage
Brand: John Dwyer, Ted Byrnes, Greg Coates, Tom Dolas, Brad Caulkins

Bonus disc

Bonus disc: No

Catalogue number

CF135

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Colour

Black

Colour details

Discogs ID

[r18048418]

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Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2021-03-19

Signed copies

Signed copies: No

Supplier GB

Forte

Tax rate GB

Standard:20

UPC / Barcode

767870664113

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

CF135CD

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2021-04-09

767870664120

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

John Dwyer, Ted Byrnes, Greg Coates, Tom Dolas, Brad Caulkins

Genre GB

Psychedelic

Label GB

Castle Face

Welcome to Castle Face, a California-based music label founded by John Dwyer of Thee Oh Sees, Matt Jones, and Brian Lee Hughes. With an impressive roster of talented artists and performers, Castle Face is known for its unique blend of genres and commitment to delivering exceptional music to fans worldwide.

Since its inception, Castle Face has been at the forefront of the independent music scene, consistently releasing groundbreaking albums that push boundaries and defy expectations. From garage rock to psychedelic pop, our diverse catalog offers something for every discerning listener.

With a reputation for nurturing emerging talent and supporting established acts alike, Castle Face remains dedicated to providing a platform for artists to express their creativity freely. Our passion for music drives us to curate a collection that reflects the spirit of innovation and authenticity that defines our label.

Walk the dog. Exercise. Make art.’The mind is happy when the body is.’ Things I can potentially fill my days with if I am stuck at home for months on end…Then, one day, I hear a frenetic, free drummer playing in his garage a few blocks from me. And I think ‘interesting’. I stand outside his garage staring at the wall, like a fool, for a minute, then decide to leave a note on the car parked there. This is how I ended up meeting and working with Ted Byrnes. He wasn’t creeped out, and he ended up sending me a pile of truly spontaneous drums recordings from the carport to work with. I decided to have every musician come in one at at time and just take a wild pass at their track over the drums. None of these people had ever met or played together. I was the connecting thread. I scratched the surface initially with electric bass, saxophone, guitars, cuica, synthesizers, flute and effects, but soon realized I would need heavy hitters to make this place habitable. “Greg Coates, upright bass expressionist extraordinaire, hacked through the dense weeds, vines and frayed cabling. He lays the map out and makes breathing room. Space to swing a cat. Tom Dolas (keys), my often foil, came in and began tip-toeing through the rubble and refuse. Dotting the layout with flecks of light, flights of fancy and potential tangential trajectories. Then the finisher, Brad Caulkins on horns. As always, Brad came in like grace itself, scanned the floor for food, and huffed and puffed and blew the house down. He takes a bruiser situation and lends it some warmth and hospitality, old school. “After I spent a bit of time mixing and editing this down to a palatable offering I couldn’t help but think about human consumption....Endless Garbage seemed a fitting title. A cacophonous and glorious sketch of ourselves. For fans of Albert Ayler, ECM records, Gong, improvisation, sustainability and consumption” —John Dwyer.

Endless Garbage

Music GB