Name: Sand I En Vik
Brand: Maria Kannegaard

Bonus disc

Bonus disc: No

Catalogue number

3779281

{"blocks": [{"data": {"text": "3779281"}, "type": "paragraph"}]}

Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2021-03-05

Signed copies

Signed copies: No

Supplier GB

Proper

Tax rate GB

Standard:20

UPC / Barcode

0687437792816

{"blocks": [{"data": {"text": "0687437792816"}, "type": "paragraph"}]}

Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

3779288

{"blocks": [{"data": {"text": "3779288"}, "type": "paragraph"}]}

Black

0687437792885

{"blocks": [{"data": {"text": "0687437792885"}, "type": "paragraph"}]}

2 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

 Maria Kannegaard

Genre GB

Jazz

Label GB

Jazzland

Jazzland is a New York jazz label that was established in 1960 by Bill Grauer and Orrin Keepnews as a companion to their Riverside Records label. Originally focused on reissuing Riverside recordings, the label soon shifted its focus to new recordings, particularly material by Cannonball Adderly.

In 1972, Jazzland was bought along with its parent Riverside label by Fantasy. Since then, the label has continued to be a prominent force in the jazz music industry, releasing exceptional recordings from talented artists.

With its rich history and dedication to showcasing the best of jazz music, Jazzland remains an influential and respected label within the genre. From classic reissues to groundbreaking new releases, Jazzland continues to captivate audiences with its diverse catalog of extraordinary jazz recordings.

Pianist/composer Maria Kannegaard presents Sand I En Vik, a rapid follow-up to the album Nadeslas. Where that latter album was an experimental and expressive affair, the former sees her return to more familiar musical pastures, although with a different viewpoint and attitude. Kannegaard's piano playing remains immaculate, never cluttered or wasteful, always conveying the right mood or emotion, the perfectly balanced response to both the composition and the development of it. The compositions carry their own moods and unique characteristics, their own internal tensions, sometimes haunting, sometimes exuberant, sometimes seeming stretched to a breaking point. Plaintive ballads sit alongside riff-driven stompers, moments of abstract expressionism interweave with stop-start angular motifs, unexpected harmonizations, and moments that seem to be formless before revealing themselves to be details within a larger, clearer picture.

Sand I En Vik

Music GB