Name: Pittsburgh
Brand: Matthew Stevens

Bonus disc

Bonus disc: No

Catalogue number

WR4779

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-09-02

Signed copies

Signed copies: No

Supplier GB

Proper

Tax rate GB

Standard:20

UPC / Barcode

0655498297908

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

WR4779LP

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Black

2022-08-26

0655498297915

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Matthew Stevens

Genre GB

Jazz

Label GB

Whirlwind Recordings

Whirlwind Recordings is a UK label for improvised music, based in London. Established in 2010 by Michael Janisch, this label has become a prominent force in the world of jazz and contemporary music.
With a focus on showcasing talented artists and performers, Whirlwind Recordings has built a reputation for releasing high-quality recordings that push the boundaries of genre and style. From cutting-edge jazz to experimental sounds, their diverse catalog offers something for every music lover.
As an authoritative voice in the industry, Whirlwind Recordings continues to nurture emerging talent while also collaborating with established musicians. Their commitment to innovation and creativity has earned them critical acclaim and a loyal following worldwide.

He may not have known it before, but Toronto-born, New York-based guitarist Matthew Stevens, prized for his forceful, distinctive electric sound was an ideal candidate to make an album fully devoted to solo acoustic guitar: the intimate, unadorned, straightforwardly titled Pittsburgh.

September 2020, Stevens was hunkering down in his wife's family's hometown of Pittsburgh, while navigating his way through the crisis. He had with him a vintage Martin 00-17, a small-body mahogany guitar. Practicing daily on the Martin, he began generating a series of short song "starts" - ideas and sketches he thought might lead somewhere. Then one rainy Pittsburgh day, Stevens' bike slid out from under him and he broke his right elbow. Rather than getting derailed musically, he became immersed in a creative process that led straight to Pittsburgh: a document of those short song "starts" from the notebook, now hatched as completed compositions. "Playing this music became a big part of my rehab," Stevens recalls.

As the album took shape, it became clear to Stevens that he was headed in the direction of a wholly unaccompanied recital, with no overdubs or sound layering of any kind. Just him and this special Martin, two Neumann U89 mics and enough peace of mind across two separate sessions to make Pittsburgh the triumph that it is.

He has made vital contributions to groups led by Dave Douglas, Linda May Han Oh, Christian Scott aTunde Adjuah, Ben Williams and more. With tenor saxophonist Walter Smith III he co-leads the In Common collective. Stevens has also amassed many credits beyond the jazz world, collaborating on forthcoming releases by Anna B Savage, Jamila Woods, Tyler Armes (Murdagang) and Berlin-based electronic artist Robag Wruhme.

Pittsburgh

Music GB