Name: Bat Out of Hell (180 Gram Vinyl)
Brand: Meatloaf

Bonus disc

Bonus disc: No

Catalogue number

88985375141

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2017-01-20

Signed copies

Signed copies: No

Supplier GB

Sony

Tax rate GB

Standard:20

UPC / Barcode

889853751419

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Meatloaf

Genre GB

Classic

Label GB

Legacy

Legacy is Sony Music Entertainment's catalog and reissue label. It was introduced by Columbia Records in 1960 for historical recordings. In 1990, CBS Records relaunched Legacy for reissues and repackaged releases. Since then, it has been used by CBS's successors. The label, sometimes indicated as "Legacy Recordings," is known for its extensive collection of *historical recordings* and *reissued albums*. With a focus on preserving the rich musical heritage of various artists and performers, Legacy offers music enthusiasts an opportunity to explore timeless classics and rediscover iconic sounds from the past.

Stoney & Meatloaf is a duet of singer Meat Loaf and Stoney (Shaun Murphy). They released one self-titled album in 1971. Meat Loaf and Murphy had met previously in the Detroit music scene, and then performed with the Detroit cast of Hair. Meat Loaf, whose name was styled "Meatloaf" on the album, had a minor hit "What You See Is What You Get".

Back In Stock

180 Gram Vinyl. There is no other album like Bat Out of Hell, unless you want to count the sequel. This is Grand Guignol pop - epic, gothic, operatic, and silly, and it's appealing because of all of this. Jim Steinman was a composer without peer, simply because nobody else wanted to make mini-epics like this. And there never could have been a singer more suited for his compositions than Meat Loaf, a singer partial to bombast, albeit shaded bombast. The compositions are staggeringly ridiculous, yet Meat Loaf finds the emotional core in each song, bringing true heartbreak to Two out of Three Ain't Bad and sly humour to Paradise by the Dashboard Light. There's no discounting the production of Todd Rundgren, either, who gives Steinman's self-styled grandiosity a production that's staggeringly big but never overwhelming and always alluring. While the sentiments are deliberately adolescent and filled with jokes and exaggerated clichés, there's real (albeit silly) wit behind these compositions, not just in the lyrics but in the music, which is a savvy blend of oldies pastiche, show tunes, prog rock, Springsteen-esque narratives, and blistering hard rock (thereby sounding a bit like an extension of Rocky Horror Picture Show, which brought Meat Loaf to the national stage). It may be easy to dismiss this as ridiculous, but there's real style and craft here and its kitsch is intentional. It may elevate adolescent passion to operatic dimensions, and that's certainly silly, but it's hard not to marvel at the skill behind this grandly silly, irresistible album.

Bat Out of Hell (180 Gram Vinyl)

Music GB