Since 2010, Moonface has been the name under which Canadian musician Spencer Krug (Wolf Parade, Sunset Rubdown) explores his more experimental side, in both solo and collaborative works. Krug releases his final LP under the Moonface moniker. This One’s For The Dancer and This One’s For The Dancer’s Bouquet is an experimental, amorphous listen, oscillating between jazzier meditations and frenetic rock imbued with marimbas, xylophones, and steel drum. It’s made up of two distinct yet connected ideas; the music is culled from two separate projects, each with different collaborators, recorded in different studios, in different towns, in different years. The songs are sung from two completely different standpoints, blended into one long, single album. Half of the songs were written from the point of view of the Minotaur from Greek mythology, the other half written from Krug's own perspective. Each side of the four-sided album is its own little journey, connected by a through-thread of density, of unmerciful darkness that colours every corner of the sound.