Name: Digital Garbage
Brand: Mudhoney

Bonus disc

Bonus disc: No

Catalogue number

sp1225

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Black Vinyl. Die-Cut Gatefold Jacket with Custom Dust Sleeve. Comes with Download.

Format Music GB

Limited edition

Release date

2018-09-28

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

Standard:20

UPC / Barcode

098787122510

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

spcd1225

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Die-Cut Gatefold Digipak with Custom Dust Sleeve.

098787122527

{"blocks": [{"data": {"text": "098787122527"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

sp1225x

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[r12571655]

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Extended format: Yes

Limited Light Blue Opaque Loser Coloured Vinyl. Die-cut Gatefold Jacket with Custom Dust Sleeve. Comes with Download.

4059251273516

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1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Mudhoney

Genre GB

Alternative / Modern

Label GB

Sub Pop

Mudhoney is an American alternative rock band that was formed in Seattle, Washington in 1988. The band was created by vocalist Mark Arm and former guitarist Steve Turner after the split of the influential Seattle band Green River.

Although Mudhoney did not achieve the same level of fame as some of their label and city mates, they were a significant part of the early 90s grunge scene. With their enduring presence, they have become one of the most respected and long-lasting groups from that era.

Known for their raw and energetic sound, Mudhoney has left a lasting impact on alternative rock music. Their contributions to the genre continue to be celebrated by fans around the world.

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

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Since the late '80s, Mudhoney – the Seattle-based foursome whose muck-crusted version of rock, shot through with caustic wit and battened down by a ferocious low end – has been a high-pH tonic against the ludicrous and the insipid. Thirty years later, the world is experiencing a particularly high-water moment for both those ideals. But just in time, vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters are back with Digital Garbage, a barbed-wire-trimmed collection of sonic brickbats. Arm's raw yawp and his bandmates' long-honed chemistry make Digital Garbage an ideal release valve for the 2018 pressure cooker. "My sense of humor is dark, and these are dark times," says Arm. "I suppose it’s only getting darker."

Digital Garbage opens with the swaggering Nerve Attack, which can be heard as a nod both to modern-life anxiety and the ever-increasing threat of warfare. The album's title comes from the outro of Kill Yourself Live, which segues from a revved-up Arm organ solo into a bleak look at the way notoriety goes viral. Arm says: "people really seem to find validation in the likes—and then there's Facebook Live, where people have streamed torture and murder, or, in the case of Philando Castile, getting murdered by a cop. In the course of writing that song, I thought about how, once you put something out there online, you can’t wipe it away. It’s always going to be there - even if no one digs it up, it’s still out there floating somewhere."

Appropriately enough, bits of recent news events float through the record: Please Mr. Gunman, on which Arm bellows "We'd rather die in church!" over his bandmates' careening charge, was inspired by a TV-news bubblehead's response to a 2017 church shooting, while the ominous refrain that opens the submerged-blues of Next Mass Extinction calls back to last summer's clashes in Charlottesville. Mudhoney's core sound - steadily pounding drums, swamp-thing bass, squalling guitar wobble, Arm's hazardous-chemical voice - remains on Digital Garbage, which the band recorded with longtime collaborator (and Digital Garbage pianist) Johnny Sangster at the Seattle studio Litho. The anti-religiosity shimmy 21st Century Pharisees builds its case with Maddison's woozy synths, which Arm says “add a really nice touch to the proceedings.” Digital Garbage closes with Oh Yeah, a brief celebration of skateboarding, surfing, biking, and the joy provided by these escape valves. "I would’ve really just loved to write songs about just hanging out on the beach, and going on a nice vacation," says Arm. "But, you know, that probably doesn’t make for great rock." Mudhoney, however, know what does make great rock - and the riffs and fury of Digital Garbage will stand the test of time, even if the particulars fade away. "I've tried to keep things somewhat universal, so that this album doesn’t just seem like of this time - hopefully some of this stuff will go away," Arm laughs. "You don’t want to say in the future, 'Hey, those lyrics are still relevant. Great!'”

CD - Die-Cut Gatefold Digipak with Custom Dust Sleeve.

LP - Black Vinyl. Die-Cut Gatefold Jacket with Custom Dust Sleeve. Comes with Download.

LP+ - Limited Light Blue Opaque Loser Coloured Vinyl. Die-cut Gatefold Jacket with Custom Dust Sleeve. Comes with Download.