Name: Every Good Boy Deserves Fudge
Brand: Mudhoney

Bonus disc

Bonus disc: No

Catalogue number

SP105

Colour

Colour details

Discogs ID

[r4571339]

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Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2009-10-05

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

Standard:20

UPC / Barcode

98787010510

Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Mudhoney

Genre GB

Alternative / Modern

Label GB

Sub Pop

Mudhoney is an American alternative rock band that was formed in Seattle, Washington in 1988. The band was created by vocalist Mark Arm and former guitarist Steve Turner after the split of the influential Seattle band Green River.

Although Mudhoney did not achieve the same level of fame as some of their label and city mates, they were a significant part of the early 90s grunge scene. With their enduring presence, they have become one of the most respected and long-lasting groups from that era.

Known for their raw and energetic sound, Mudhoney has left a lasting impact on alternative rock music. Their contributions to the genre continue to be celebrated by fans around the world.

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

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Whether it was Conrad Uno's production, the addition of more instruments to the Mudhoney arsenal (notably, Mark Arm adds organ, as can be enjoyably heard on Who You Drivin' Now, among other numbers), a slew of brilliant songs, or a combination of the above, Every Good Boy Deserves Fudge found Mudhoney coming into their own album-wise. Let It Slide, the album's lead single, fuses everything from surf rock drumming from Dan Peters to a delicious vocal whine on the verses from Arm into a hotwired classic. It's not so much grunge as speed-freak energy, and all the better for it given the caricatures of Sub Pop's sound that would soon take over the airwaves. Into the Drink is another fun single, using acoustic and electric guitar to carry a nicely snotty garage stomp along, the full band adding one of their better chorus-gang shouts. More acoustic twang surfaces here and there (check out Move Out), helping to show that the variety of songs and styles is much more apparent and welcome here than on the self-titled album. The almost-pretty rushed guitar chime on Good Enough could be mid-'80s New Order or the Wedding Present, while Steve Turner's harmonica playing often suggests even deeper roots (and on Pokin' Around is both quick on the pace and sweetly mournful). Uno's eight-track production makes more of less plenty of times - Something So Clear may not sound as full to some ears as their other records, but the basic guitar overdubs add just enough force, an effective simplicity (and Turner's soloing is pretty great to boot). The six-minute Broken Hands is the one point on the album where the band completely freaks out, but unlike the takes-too-long moments of Mudhoney, it's all worth it here, down to the final chaotic amplifier abuse.

Every Good Boy Deserves Fudge

Music GB

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