Name: Plastic Eternity
Brand: Mudhoney

Bonus disc

Bonus disc: No

Catalogue number

SP1445X

Colour

Silver

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Format Music GB

Limited edition

Release date

2023-04-07

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

Standard:20

UPC / Barcode

098787144505

Total Cap

Silver LP

SPCD1445

Extended format: No

Gatefold Alt-Pack

098787144529

SP1445

Black

098787144512

Black LP

Artist

Mudhoney

Genre GB

Alternative / Modern

Label GB

Sub Pop

Mudhoney is an American alternative rock band that was formed in Seattle, Washington in 1988. The band was created by vocalist Mark Arm and former guitarist Steve Turner after the split of the influential Seattle band Green River.

Although Mudhoney did not achieve the same level of fame as some of their label and city mates, they were a significant part of the early 90s grunge scene. With their enduring presence, they have become one of the most respected and long-lasting groups from that era.

Known for their raw and energetic sound, Mudhoney has left a lasting impact on alternative rock music. Their contributions to the genre continue to be celebrated by fans around the world.

Short for "Subterranean Pop" 

The label was an outgrowth of [a=Bruce Pavitt]'s Olympia, WA based (print) fanzine, which became the well respected cassettezine of the same name. 

After his move to Seattle he ran a music column in the Seattle Rocket also called Sub Pop.

After initial forays into the record label world with a [a=Green River] 7" (not officially on Sub Pop) and the Sub Pop 100 LP, the label exploded onto the indie scene with four influential colored vinyl 7"s which included [a=Mudhoney]'s "Touch Me I'm Sick" which made the year-end top 10 playlist of nearly every music journalist in the world.

Subsequent hyping of the label in the English music press put them on the map, and grunge was born.

Label-Code is 03159; rarely found printed on releases (basically only on releases manufactured/licensed by Warner/WEA Germany)

The world is filling up with trash. Humanity remains addicted to pollution. People are downing horse dewormer because some goober on television told them it cured COVID. The apocalypse is stupider than anyone could’ve predicted.

Fortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album,&nbsp;Plastic Eternity, which was recorded over nine days at Crackle and Pop! in Seattle with longtime producer Johnny Sangster.

From taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix (“Cry Me An Atmospheric River”) to a driving rock and roll song about taking drugs meant for livestock (“Here Comes the Flood”) to a classic punk attack on treating humans&nbsp;like&nbsp;livestock (“Human Stock Capital”),&nbsp;Plastic Eternity&nbsp;is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020’s. It also contains a genuine love song in closing track “Little Dogs,” an ode to the simple joys of hanging out with tiny canines.

Mudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm’s sharply funny lyrics as potent a combination as they’ve been since the band’s formation in the late 1980s. When asked why they continue making records nearly four decades after forming, Arm’s answer is simple.

“We like each other, and we like being in a band together,” says Arm. “Some people have poker night or whatever the fuck, and they have the excuse to get together with their friends. For us, this [band] is that. This is what we do.”

Plastic Eternity

Music GB