Name: Piano Music 1-7
Brand: Powell

Bonus disc

Bonus disc: No

Catalogue number

EMEGO301CD

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2021-08-27

Signed copies

Signed copies: No

Supplier GB

Kudos

Tax rate GB

Standard:20

UPC / Barcode

5050580768260

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

EMEGO301

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Black

2021-11-26

5050580765689

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Powell

Genre GB

Modern Composition

Label GB

Editions Mego

Editions Mego was founded on January 1st, 2006 by Peter Rehberg. The label's main goal is to preserve the legacy and catalog of the now defunct Mego label, while also releasing new and innovative works.
With a focus on experimental music and sound art, Editions Mego has become a leading force in the industry. They are known for their commitment to pushing boundaries and exploring new sonic territories.
Whether you're a long-time fan or just discovering their unique offerings, Editions Mego offers a diverse range of releases that will captivate and challenge your musical sensibilities.

Via his own Diagonal Records imprint, his work on XL Recordings and, most recently, the opening of audio/film platform A Folder [afolder.studio], Powell has firm footing in the contemporary electronic landscape. During a wry and obstinate musical life he has twisted myriad synthetic forms into shapes that explore and expand upon the districts of post-punk, techno, noise + computer music, and in the the last year alone he has released four albums of hi-def abstractions, each inspired by a formalisation of music proposed by Iannis Xenakis.

As an extension of this intense period of work/research/play with stochastic functions [using probabilities to compose music], various processes emerged that Powell then began to apply to more traditional musical events. Where ordinarily in his work the probabilities and relationships are used to define parameters such as wave-shape, folding, FM, filter modes etc., he now began to use them to create musical formations and visual scores that could be played back using any software/MIDI instrument [one of these can be seen on the rear cover of the LP release]. While mapping out this cartography of relations, he used a basic Grand Steinway sampler as a placeholder instrument; the longer the process went on, though, the more he began to embrace the acoustic properties of the synthetic piano and make it the bedrock for this new constellation of work.

Piano Music 1-7, subtitled 'Music for Synthetic Piano and Assorted Electronics', consists of seven different synthetic islands strung together into a single composition. All were composed using the aforementioned processes that allowed Powell to play a piano, even if he never learned to do so with his hands. After all, 'In writing electronic music,' Robin Mackay once wrote, 'you also have to direct the invention of new tools.'

Piano Music 1-7

Music GB