Name: 33 1/3: Merle Haggard's Okie from Muskogee
Brand: Rachel Lee Rubin

Bonus disc

Bonus disc: No

Catalogue number

9781501321436

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Colour

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format Books GB

Paperback

Format detail

{"blocks": [{"data": {"text": "Paperback"}, "type": "paragraph"}]}

Limited edition

Release date

2018-03-22

Signed copies

Signed copies: No

Supplier GB

Bloomsbury

Tax rate GB

Zero:0

UPC / Barcode

1 / Extended format: No / Paperback / Rough Trade Exclusive: No / Signed copies: No

Artist

 Rachel Lee Rubin

Genre GB

Music

Label GB

Every now and then, a song will grab the kind of attention that hosts conversations, debates, disputes, and brawls. Merle Haggard's Okie from Muskogee, released in 1969, is a prime example of that important role of popular music. Okie immediately helped to frame an ongoing conversation about region and class, pride and politics, culture and counterculture. But the conversation, useful as it was, drowned out the song itself, along with the other songs on the live album named for Okie and performed in Muskogee that Haggard has carefully chosen to frame what has turned out to be his most famous song. What are the internal clues for gleaning the intended meaning of Okie? What is the pay-off of the anti-fandom that Okie sparked (and continues to spark) in some quarters? What was Haggard's artistic path to that stage in Oklahoma, and how did he come to shape the industry so profoundly at the moment when, as Johnnie and Jack sang a decade earlier, country music's gone to town?

33 1/3: Merle Haggard's Okie from Muskogee

Books GB