Name: Bite Down
Brand: Rosali

Bonus disc

Bonus disc: No

Catalogue number

MRG824LP

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: Yes

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2024-03-22

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

Standard:20

UPC / Barcode

0673855082417

Total Cap

Black LP

MRG824LPC1

Pink

Extended format: Yes

0673855082400

Pink LP

MRG824CD

Download code: No

CD Wallet with 12 Page Booklet

0673855082424

Artist

Rosali

Genre GB

Alternative / Modern

Label GB

Merge Records

Merge Records is an independent record label based in Durham, North Carolina. Founded in 1989 by Laura Ballance and Mac McCaughan, it started as a platform to release music from their band Superchunk and their friends' creations. Over the years, Merge Records has grown to include talented artists from all over the world, with some of their records even reaching the top of the Billboard music charts.
With its headquarters nestled in Durham, North Carolina, Merge Records has become a renowned name in the music industry. The label was established by Laura Ballance and Mac McCaughan back in 1989 with a vision to share their own musical endeavors as well as support fellow musicians within their circle.
What began as a humble endeavor quickly flourished into something much greater. Today, Merge Records boasts an impressive roster of artists spanning various genres and backgrounds. From indie rock to experimental pop, *Superchunk* paved the way for other talented musicians to join forces under this esteemed label's umbrella.

Newest Listed Items

Bite Down, the Merge Records debut of Rosali, finds acclaimed songwriter and guitarist Rosali Middleman in the midst of transition. Written after moving to North Carolina from her longtime home of Philadelphia, Bite Down is a searching, hungry record by an artist who is resolved to bite down on life, in all its horror and joy.

She is joined here by Mowed Sound David Nance (bass, guitar), James Schroeder (guitar, synth), Kevin Donahue (drums, percussion) and in studio by Destroyer collaborator Ted Bois (keys). Bite Down is Rosali’s second album working with Mowed Sound, and there is urgency and ambition in their collaboration a band pushing each other not just to expand on what they’ve already done together, but to break through into altogether new territory.

Among those joining Rosali and her band there is Dan Bejar of Destroyer, who waxes poetically on where she’s been, where she’s going, and how thrilling Bite Down is to experience: It’s hard to talk about Rosali’s music. Songs that reach outward like this, but then constantly disarm with their intimacy. What do you call such inner searching that is hellbent on rollicking? Songs that long for a sense of peace and songs that want romance, all on equal footing in the same plot of earth? Performed wild, but always centered around the incredible lyrical calm that is Rosali’s voice.

Bite Down makes me think about singers and bands that throw themselves hard into the storm, the way the Rosali quartet does. (Jim captures the tone of this perfectly, again!) The calm of her voice over top of the band’s raging it is the emblem of songs that live to put themselves in harm’s way. But it’s not harm. It’s just that you have to play hard to get at these goods. The calm of Rosali’s voice, the straight talk of her inner search vs. the wildness of the band, the sonic storm she rides in on. That’s their sound.

The Mowed Sound. It’s hard to talk about these last couple Rosali albums without talking about them. They play free and wild and relentlessly melodious. They rip and create space and fill it up with what seems like reckless abandon, but listen carefully or listen for a while and you’ll find them paying real close attention to each other and exactly what the song demands. Maybe Fairport did this, maybe VU. It’s a strange telepathic brew.

Breezier songs like “On Tonight” and “Rewind” sound like they’ve fought their way to get to that sense of ease. Maybe that’s the Mowed Sound “sound”—hard-won ease. Then add to that Ted Bois’ patented Rhodes sleaze (see sinuous title track “Bite Down”) steering the record into late-night corners; the incredible “Hills on Fire” (maybe the centerpiece of the album), the guitar-ripping and the singing taking turns in reaching new levels of intimacy. It feels listened-in on, exposed and invented on the spot. It is also simply a staggeringly beautiful song. There are a few of those on the album. In contrast, “My Kind” is a raucous, hand-delivered classic; the band throws tables over. For the most part, this is a moodier record than No Medium. It has the same sound of “I’ve travelled through fire to deliver you these songs,” but it is also quieter, more nocturnal. The quiet dread of staring down an open road, and the excitement of that. By the final track, “May It Be on Offer,” it is the prayer uttered as you hand yourself over to the world.

Bite Down 

Music GB

Discover Bite Down by Rosali. The Merge Records debut of acclaimed songwriter and guitarist Rosali Middleman. A searching, hungry record that bites down on life. Available in various formats from Merge Records.