Name: Demand Full Automation
Brand: Simon Crab

Bonus disc

Bonus disc: No

Catalogue number

cdgg269

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2018-04-13

Signed copies

Signed copies: No

Supplier GB

Shellshock

Tax rate GB

Standard:20

UPC / Barcode

4013438101535

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Simon Crab

Genre GB

New Wave / Post Punk

Label GB

Klanggalerie

Founded in 1997, Klanggalerie is a music label that specializes in CD releases of both new material and re-issues of classics. It was established as the follow-up to Syntactic, another successful label. With a focus on providing music previously unavailable on digital format, Klanggalerie offers a diverse range of albums for music enthusiasts.
Klanggalerie has built a reputation for its commitment to quality and diversity in its releases. The label strives to bring unique and exceptional music to listeners worldwide. Whether it's discovering new artists or rediscovering timeless classics, Klanggalerie ensures an enriching musical experience.
With over two decades of experience, Klanggalerie continues to curate an impressive catalog that appeals to various tastes and genres. From avant-garde sounds to experimental compositions, their releases are meticulously selected and beautifully packaged. Explore the world of extraordinary music with Klanggalerie today!

Simon Crab has a long history in music. He is anti-capitalist, a practicing anarchist and strongly against material acquisition. Many years ago, he offered the complete back catalogue by his former band Bourbonese Qualk as free downloads. Nevertheless, people like product, so the Qualk catalogue will be-reissued physically, and Klanggalerie are happy to release his second solo album on Compact Disc. Crab considers himself a non-musician, yet is oddly quite good at playing instruments like the guitar, clarinet, gamelan-percussion and especially electronics. In fact, his favourite musical instrument is the computer. Whereas classically trained musicians often assert that there is no artistry in computers, Crab asserts there is no artistry required to play a musical instrument well. Crab's 'music career' spans nearly four decades and continues until this very day. Demand Full Automation presents our society's choice of either liberating the working class through automation, or further subduing them with it. Enter this rich, and meticulously crafted mostly electro-acoustic narrative with some instrumental excursions, that emphasizes more synthetic than natural textures, and on occasion, a sublime melding of the two. Demand Full Automation continues the narrative; ambient-atmospherically pensive some moments, but mostly energetic and upbeat, and relentlessly marching towards progress. But what kind of progress? Says Crab "At the moment, the proletariat is being replaced by the precariat. It is a really interesting time, apart from all the kind of 'rise of fascism' and globalization. The big issue that nobody is looking at is automation and it seems to me that it can go one of either two ways; that can be the neo-liberal way in which corporates are going to use automation as a way of enriching themselves even further, irrespective of the workforce. The workforce is going to become completely irrelevant. That is the neo-liberal take on it which is a dystopian view of the world and it is clearly not going to end very well. The other view is that if you take more of a Marxist approach, taking control of the means of production, if the workers themselves control automation for the good of themselves, then there is a better future. Automation doesn't have to be a dystopian horror. It can easily be a liberating future." Track list: 

Demand Full Automation

Music GB