Name: Improvisation On Four Sequences
Brand: Suzanne Ciani

Bonus disc

Bonus disc: No

Catalogue number

Colour

Clear

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Format Music GB

Limited edition

Release date

2023-09-15

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

4250101455117

Total Cap

Clear LP

Artist

Suzanne Ciani

Genre GB

Electronic

Label GB

Week-End Records

Suzanne Ciani is an acclaimed artist known for her groundbreaking work in electronic music. Born in Indiana‎, she discovered her passion for music at a young age and taught herself to play the piano and read sheet music. During her time at Wellseley College, Suzanne explored both performance and composition while also developing a fascination with technology.

Her studies led her to meet influential figures in electronic music, including John Chowning, Max Matthews, and Don Buchla. Suzanne became captivated by synthesizers and spent years experimenting with these machines to create unique compositions. However, as the industry shifted towards simpler instruments that replicated traditional sounds, Suzanne returned to classical instrumentation.

This shift resulted in Grammy-nominated albums such as "Dream Suite," which showcased her mastery of piano and orchestra arrangements. Her commitment to blending classical elements with electronic influences can be heard in works like "Pianissimo II" and "Turning." Suzanne's innovative approach has solidified her status as a pioneering artist within the realm of electronic music.

Newest Listed Items

Suzanne Ciani’s Improvisation On Four Sequences somehow represents the complete history of electronic music, as the enthusiastic audience at Week- End Fest 2021 were lucky enough to experience.

From the awakening of American avant-garde music at the end of the 1960s, right through to the development of the electronic sound of the club scene in L.A. and New York. But above all it is the dialogue between artist and machine, which simply ends when the concert is over, that comes across. Laconicism, precision, sound sensitivity and the weight of a tradition that Ciani was instrumental in founding all come together. It is spectacular precisely because it is so unexciting.

Improvisation On Four Sequences

Music GB