Name: Enemy of Love
Brand: The Body and OAA

Bonus disc

Bonus disc: No

Catalogue number

THRILL569CD

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-02-18

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

Standard:20

UPC / Barcode

0790377056921

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

The Body and OAA

Genre GB

Metal

Label GB

Thrill Jockey

Thrill Jockey is an American independent record label that was established in 1992 by Bettina Richards, a former A&R representative at Atlantic Records. Originally based in New York City, the label relocated to Chicago, Illinois in 1995.
With over two decades of experience, Thrill Jockey has become a prominent force in the music industry. Known for its diverse roster of artists and commitment to artistic integrity, the label has consistently released groundbreaking and innovative music across various genres.
Thrill Jockey's catalog includes a wide range of critically acclaimed albums from both established and emerging artists. From experimental rock to electronic music, jazz to folk, the label continues to push boundaries and support unique voices within the industry.

In keeping with their penchant for veering in new directions, The Body’s work with producer OAA (aka AJ Wilson) doubles down on the duo’s sonic excavations at the nexus of electronic, noise, and heavy music. On Enemy of Love, their percussive onslaught churns beneath a single mass of impossible magnitude that lurches and stutters as its gears grind in perpetual struggle. The Body drummer Lee Buford’s signature obliterated volleys set a steady pace which Wilson bolsters with a multitude of rhythmic clicks, thuds and synthesizer squeals. Guitarist and vocalist Chip King pours a cornucopia of volcanic noise-laden textures atop the throb, driving each piece to the absolute brink. Wilson adeptly straddles the line between Buford and King, creating a provocative syncopating interplay as well as employing abrasive samples and synth that entirely blur the boundaries of King’s guitar and howl. The combination of the three is equal parts harrowing and intoxicating.

Enemy of Love

Music GB