Name: Interior Windows
Brand: The Gist

Bonus disc

Bonus disc: No

Catalogue number

PICI0017LP

{"blocks": [{"data": {"text": "PICI0017LP"}, "type": "paragraph"}]}

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2023-11-24

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

Standard:20

UPC / Barcode

0076625972466

{"blocks": [{"data": {"text": "0076625972466"}, "type": "paragraph"}]}

Total Cap

Black LP

Artist

The Gist

Genre GB

New Wave / Post Punk

Label GB

Tiny Global Productions

The Gist is an influential artist in the indie music scene, known for their unique blend of post-punk and pop sensibilities. Drawing inspiration from a diverse range of genres, *The Gist* has created a distinct sound that sets them apart from their contemporaries.
With a discography spanning several decades, *The Gist* has consistently delivered captivating and thought-provoking music. Their introspective lyrics and catchy melodies have garnered them a dedicated fanbase worldwide.
Often compared to artists such as The Monochrome Set, Felt, and Young Marble Giants, *The Gist* continues to push boundaries with their innovative approach to songwriting. Whether performing solo or collaborating with other talented musicians, *The Gist* never fails to captivate audiences with their mesmerizing live performances.

In the wake of Young Marble Giants’ breakup, two camps were created, with Stuart Moxham taking the band’s minimalist, geometric play to extremes and Alison Statton adding more warmth and feeling to the same basic template and creating something stunning but based in popular forms. Those two opposing - almost knee-jerk - means of forging new paths away from one of music’s most astonishingly unique debuts both happened to include Stuart’s brother - Alison’s former boyfriend - Phil Moxham. In recent years, both artists have almost reversed course, with Stuart proving himself an ace songwriter in classic pop form, and Alison’s work again approaching a modern abstraction of quiet folk music - experimental but accessible. But that’s another tale. Without a real template to guide him, Stuart’s new form of music - as The Gist - was widely regarded as wildly uneven. Stuart admits that he didn’t know which way to go, so in perverse style, he decided to take all directions at once. 

The Gist’s original discography stood at a scant 18 songs, but only seven featured Stuart’s own voice, often in heavily processed and oddly mixed form. So while The Gist’s label, Rough Trade, had the widest array of unique voices in popular music, Stuart buried his own voice. Sales disappointed. The Gist were dropped. A decade later, starting with a critical reevaluation of The Gist’s sole album, Embrace The Herd, in an issue of Mojo, the tide begin to turn. 

Recent discovery of a trove of unreleased songs, versions and demos showed that Stuart had ample material on a par with his YMG work, sometimes in rough demo form, but often in five or six complete, entirely different arrangements. With the 2017 album of unreleased material by The Gist, Holding Pattern, a new audience discovered the band and the release sold out quickly. Interior Windows adds 13 new performances or alternate versions to the band’s catalogue, and does the service of finally making both sides of The Gist’s first 7” 45 (recorded at the same session as the final YMG single) available again, along with their contribution to the Rough Trade / NME classic compilation C81, and in keeping with The Gist’s tradition, at least one song on which Stuart does not appear.

Interior Windows

Music GB