Name: Half Eaten By Dogs
Brand: The Serfs

Bonus disc

Bonus disc: No

Catalogue number

TIM184LP

Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2023-10-27

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

Standard:20

UPC / Barcode

0650076674744

Total Cap

Black LP

TIM184LPC1

Limited Raw Meat Vinyl (Red/ White Swirl)

Extended format: Yes

0650076674751

Red LP

TIM184CD

0650076674720

Artist

The Serfs

Genre GB

New Wave / Post Punk

Label GB

Trouble In Mind

Trouble in Mind is a record label based in Chicago, Illinois. It was founded in 2009 by Bill Roe and Lisa Roe, two passionate music enthusiasts. Since its inception, the label has been dedicated to releasing high-quality music across various genres.
With an impressive roster of talented artists, Trouble in Mind has become known for its diverse and eclectic catalog. From *The Liminanas* to *Ultimate Painting*, the label showcases a range of musical styles that appeal to both mainstream and alternative audiences.
As an independent label, Trouble in Mind prides itself on providing a platform for emerging artists to share their unique voices with the world. The label's commitment to nurturing talent has resulted in numerous critically acclaimed releases and collaborations.

Newest Listed Items

Anyone paying attention can see that Cincinnati, OH is a very real hotbed of musical creativity at the moment, and the three members of The Serfs - Dylan McCartney (vocals, percussion, guitar, bass, electronics), Dakota Carlyle (Electronics, bass, guitar, vocals) and Andie Luman (vocals, synths) - and their respective side projects (The Drin, Crime of Passing, Motorbike) are undeniably near the center of Cincinnati’s neu-underground scene. After releasing albums on Berlin minimal-synth label Detriti and Seattle-based Dream Records in 2018 and 2022 respectively, the band makes the move to Trouble In Mind for their third and best album yet. Half Eaten By Dogs puts a decidedly Midwestern spin on the modernist twitch of future-forward bands like Total Control or Cold Beat as well as the post-industrialist dance floor grime of Skinny Puppy, Dark Day, This Heat or Factrix.

Half Eaten by Dogs is a wide-eyed look through a scope into a desiccated and heathenish vision, where ice-encrusted synth harmonies command oozing chemical rhythms and drilled-out elemental rock formations. There’s a psychedelic melancholy to it - in both the abstract lyrical sense, with doomed proclamations of natural and supernatural disasters, and the more tangible musical sense. It veers all over the map of tenebrous drum and synthesizer industries and stygian guitar implements, at times with a cautious paranoia and at times with tuneful defiance and exuberance (and in some moments harmonica, saxophone or flute). The album kicks off with the driving ‘Order Imposing Sentence’, a motorik rocker propelled by machine-driven rhythm and tarnished guitar riffing. ‘Cheap Chrome’s skeletal pulse drops in next, summoning the spirit of Cabaret Voltaire’s synth heartbeat into a modern-day mirror reality. ‘Suspension Bridge Collapse’ is a shimmering track that calls to mind Suicide’s oft-neglected second album, buoyed by what sounds like synthesized laser blasts (or perhaps suspension wires snapping?) before the siren-like guitar of ‘Beat Me Down’ kicks in - Its propulsive post-punk offering a sonic diversity under the same dark cloud. ‘Spectral Analysis’ is a late night drive down a lost highway, with a ghostly saxophone (by Eric Dietrich) guiding the doomed listener like the pied piper to their destiny. The flat-out sexy floor filler ‘Club Deuce’ kicks off side two, with its low-end sizzle designed to make you move, slithering like a lurker at the threshold of the dance floor. ‘Electric Like An Eel’ follows, with its “Brotherhood”-esque synth trills &amp; harmonica punctuating the buzzing din. ‘Ending Of The Stream’ adds an unexpected natural warmth to the album, its blanket of synthesized tones envelops like a loving embrace, while ‘The Dice Man Will Become’s triumphant melody comforts as its Rother-like guitar volleys aim skyward. ‘Mocking Laughter’ closes out the album, its waves of synthesis evoking flashes of an end credits sequence - an apropos ending to a truly cinematic album.

Half Eaten By Dogs successfully coalesces everything that The Serfs have accomplished to date, but with greater intent and purpose than their preceding albums by a mile. There are songs to dance to, and songs to take in during a storm or while riding free through the roads of the world. It may be a step further down into the catacombs for the band, but if the principle of correspondence is correct, then they could be their way to somewhere higher.

Half Eaten By Dogs

Music GB

Discover Half Eaten By Dogs by The Serfs on vinyl. This album, released by Trouble In Mind, showcases the band's unique blend of Midwestern rock and post-industrial dance floor grime.