Name: Chaleur Humaine
Brand: Uman

Bonus disc

Bonus disc: No

Catalogue number

FTS21LP

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2021-11-12

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

0603786279211

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

FTS21CD

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2021-09-17

0603786279204

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Uman

Genre GB

Alternative / Modern

Label GB

Freedom To Spend

Welcome to Freedom To Spend, a music label founded and operated by Pete Swanson and Jed Bindeman. With their passion for unique and boundary-pushing sounds, this label has become a hub for artists who dare to challenge conventions. 

At Freedom To Spend, we believe in the power of music to inspire and transform lives. Our diverse roster of *artists* encompasses a wide range of genres, from experimental electronic to avant-garde folk. We pride ourselves on curating an exceptional collection that pushes the boundaries of what is considered mainstream.

With our finger on the pulse of emerging talent, we are committed to providing a platform for *performers* who strive to create truly original music. By supporting these innovative voices, we aim to foster creativity and encourage listeners to explore new sonic territories.

Uman’s Chaleur Humaine, the debut album from the French duo of musicians and siblings Danielle and Didier Jean, resurfaces for the first time since its original release in 1992. While history, both private and public, is scattered with creative relationships between siblings that simply “did not work,” Uman’s story is uniquely different and defined by this bond, and a shared journey impressing footprints along an adventurous musical terrain.

Prior to Chaleur Humaine, Danielle and Didier recorded two albums of pop songs met mostly with ambivalence, inspiring them to escape the expectations of the French music industry and build their own studio in Orsay, a suburb south of Paris. Chaleur Humaine was a modus operandi for their new, liberated perspective and space: freedom to develop ideas independently; to cross-pollinate genres and abandon them altogether; to improvise and experiment in new musical configurations.

Within their recording sanctuary, Danielle and Didier embraced cutting edge consumer music technology to inform the album’s esoteric, textural characteristics. This is especially notable in the processing of Danielle’s voice, inventively sampled, shifted and processed, and then woven through Didier’s dream worlds. This interpretation of technology and economy of sound, gives Chaleur Humaine a soft and impressionistic sense of surrealism, guided by a human sincerity and sublimated into a landscape that feels pastoral yet universal.

Uman, the name which binds Danielle and Didier musically, resembles “human” in many Romance languages but signals a spirit from a deeper earth force. Similarly, Uman reinvents language in a postmodern way to create a harmony and truth that exists within and beyond human recognition. A poem, at once a theme and mantra, recurs throughout Chaleur Humaine: “It’s this force, almost animal, warm, like a kiss, fresh like the morning dew, that we call human warmth.” Dispatched across multiple languages over abstract melodic motifs, the message radiates from a place of meditated intent.

Chaleur Humaine was released on Buda Musique during the French record label’s rise to prominence showcasing global sound, with several tracks plucked from the album and reaching an international audience through various New Age / “Chillout” compilations. Yet the album shares more in common with Piero Milesi and Daniel Bacalov’s work for stage and theater on La Camera Astratta , the introspective world building of Nuno Canavarro on Plux Quba, and the formless vocalism and ethereality of Cocteau Twins or Enya.

While Danielle and Didier admit an affinity for some of these artists, Uman were driven by their own invention, performing with local and fringe artists, and ultimately at ease in their secluded musical world. Even as the music of Uman ricochets off the walls of their safe haven in so many directions, the artists’ interplay of reference and abstraction of sound retains the intimacy of a wildly imaginative conversation between siblings. Uman’s Chaleur Humaine is made available again on Freedom To Spend, for the first time on vinyl and as CD. On behalf of Uman, a portion of the proceeds from this release will benefit Greenpeace France.