Name: Looking Through A Glass Onion – The Beatles Psychedelic Songbook 1966-72
Brand: Various

Bonus disc

Bonus disc: No

Catalogue number

CRSEG077T

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2020-09-25

Signed copies

Signed copies: No

Supplier GB

Cherry Red (ADA)

Tax rate GB

Standard:20

UPC / Barcode

5013929187726

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Total Cap

3 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Various

Genre GB

Psychedelic

Label GB

Grapefruit

Grapefruit is a UK-based music label that specializes in psych/garage-era music from the 1966-70 timeframe. Managed by Cherry Red, Grapefruit focuses on releasing single-artist career anthologies and definitive versions of rare and classic albums. Each release features sympathetic artwork, rare photos, detailed liner notes, and high-quality sound from the original masters.

Meticulously curated box sets featuring exceptional audio quality, stunning visuals, and exclusive bonus content. Explore genres, eras, and artists to find the perfect addition to your collection.

Box Sets

A 3-CD set, Looking Through A Glass Onion assembles these disparate strands into one cohesive package, with the studio day trippers, the cultural pranksters, the genre-benders, the folk club stalwarts and the hair-down-to-his-knees prog-rock brigade all grooving up slowly to the starting line.

The result is the proverbial Magical Mystery Tour, a Fab Four parallel universe, a Looking-Glass world in which Strawberry Fields Forever can be an Elizabethan garden party madrigal or a churning slice of Fudged-up sludge, where a spaced-out Duffy Power takes the lyrics of Fixing A Hole perhaps a little too literally, Penny Lane becomes avant-garde easy listening, the likes of Nick Lowe, Alex Harvey and Ritchie Blackmore try out early identities, and the Walrus was Lol.

Though largely forgotten now, Liverpool quartet The Beatles were the toppermost of the poppermost in the Sixties, responsible for some of the biggest-selling singles of all time and a series of ground-breaking albums that dictated musical trends until their next LP emerged. With those albums containing numerous potential hit singles, it was inevitable that producers and groups would wait impatiently for the latest Beatles LP to land in order to rush into the studio and clone a track with the aim of scoring a cheap hit single. 

That process continued unabated for the rest of the band’s career, but the results became more interesting with the arrival of the psychedelic and progressive era, when rock started to take itself more seriously and a more self-respecting, artistic approach was called for. 

Suddenly the cheap imitations were joined by more adventurous interpretations of Beatles material, including some startling re-imaginings of songs that dated back to the salad days of the Lennon / McCartney writing partnership, with early efforts like Every Little Thing and You Can’t Do That given radical treatments to reflect the changing musical times.