Name: Midnight to Six Man...For the First Time From Jamaica
Brand: Various

Bonus disc

Bonus disc: No

Catalogue number

KSLP075

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

14 Tracks.

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Format Music GB

Limited edition

Release date

2022-10-14

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

5060135762537

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

KSCD075

{"blocks": [{"data": {"text": "KSCD075"}, "type": "paragraph"}]}

18 Tracks.

{"blocks": [{"data": {"text": "18 Tracks."}, "type": "paragraph"}]}

5060135762520

{"blocks": [{"data": {"text": "5060135762520"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Various

Genre GB

Reggae / Dub

Label GB

Kingston Sounds

Nice compilation of cuts from Delroy Wilson, Leroy Smart, Dillinger and Ken Boothe. "Midnight to Six Man...For the First Time From Jamaica....Dillinger and Leroy Smart...An’ Delroy Wilson Your Cool Operator” - White Man In Hammersmith Palais - The Clash. The legendary gig that Joe Strummer, singer from the Punk Rock band The Clash attended and inspired his writing their classic White Man In Hammersmith Palais took place on the 05th June 1977. At the Hammersmith Palais venue on Shepherd’s Bush Road W6, London during the height of Punk Mania. The full line up for the show were all Jamaican artists Dillinger, Leroy Smart, Delroy Wilson (all the first time from Jamaica) and Ken Boothe. “Ken Boothe for UK pop reggae” who had already scored some hits with Everything I Own and Crying Over You in 1974. Joe Strummer was expecting Roots, Rock, Reggae but the Sound System this evening ‘Admiral Ken Sound’ was playing ‘Four Tops all night’ as in soul and northern soul that were staple crowd pleasers at the time to warm up the audience, but in Joe’s eyes the music should have reflected more Jamaican roots based music. The song also deals with bigger issues of black and white unity, but some people including the Punk Rockers. “They’re all too busy fighting, for a good place under the lighting”. Joe Strummer himself was looking for fun. “I’m the Whiteman in the Palais....Just Looking for Fun” .The artwork supplied by Punk Artist Mal One has used the two posters that were made for this gig, the reggae promoters ‘Star Promotions’ poster, that contained a picture of Ken Boothe and the venue’s own poster that used text to announce it’s line up for that evenings performance. Alongside these lost relics he has also combined the groups own poster for the White Man In Hammersmith Palais single that incorporated the use of rifle target sights, perhaps enhancing the air of violence contained in the songs message. Mal One has collaged these together joining the two stories as indeed the song lyrics reflected. People often forget that the songs release was in fact as year after the actual gig, Kingston Sounds have tied this release to the 40th anniversary of the song’s release. Joe Strummer was one of the few voices from the Punk Era that used his lyrics as a weapon to tell the events that were happening around him and their relevance to those times. The song itself a Clash Classic and also a Punk Anthem, released on the 16th June 1978. Kingston Sounds have compiled this album with songs by these artists, most of which you would have heard that night.

Midnight to Six Man...For the First Time From Jamaica

Music GB