Name: Par Hasard - Chance Composition 1913 - 1951
Brand: Various

Bonus disc

Bonus disc: No

Catalogue number

ltmcd2583

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2014-07-29

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

708527002100

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Various

Genre GB

Modern Composition

Label GB

<p>LTM Recordings, originally known as Les Temps Modernes, was founded in Edinburgh in 1983 by James Nice. The label's early releases showcased the talents of Section 25, The Happy Family, and Crispy Ambulance. After relocating to Brussels for four years in 1987, Nice also worked for Les Disques du Crepuscule and later PIAS. LTM was reactivated in 1997 with a focus on CD reissues from the bankrupt Factory Records and its European counterpart Les Disques du Crépuscule. Over time, the label expanded its scope to include new wave, electronic, and post-punk artists along with new recordings and DVDs.</p>

<p>In 2008, LTM launched the compilation series Auteur Labels featuring volumes dedicated to New Hormones, Crepuscule, Factory Records, Factory Benelux, Independent Project, and Object Music. Additionally, LTM has shown an interest in experimental artists from the 20th century such as Erik Satie, Wyndham Lewis,
Marcel Duchamp,
and William S. Burroughs. They have published audio works by these artists alongside compilations representing Futurist,
Dada,
Surrealist,
Bauhaus,
and De Stijl movements. Notably,the Boutique Label operates as a sub-division of LTM.</p>

LTM presents a unique collection of avant-garde music by Marcel Duchamp, Francis Picabia, Georges Ribemont-Dessaignes and John Cage, all composed during the first half of the 20th century using chance techniques and operations. All selections are performed on piano. Iconic French conceptual artist Marcel Duchamp conceived both of his Musical errata in 1913. One consists of notes drawn at random from a hat; for the second, balls are dropped through a funnel into wagons drawn by a toy train. 'Execution,' Duchamp confided, "is rather pointless in any event." In fact both pieces are strangely beautiful. The remarkable selections by artists Francis Picabia and Georges Ribemont-Dessaignes were first performed at the Festival Dada in Paris on 26 May 1920. Consisting of three notes repeated to infinity, prankster Picabia described The American Nurse as 'musique sodomiste', while Ribemont-Dessaignes worked with "a sort of pocket roulette wheel that had a dial on which notes were written instead of numbers. By noting the results of the spins of the wheel, I had my melody and the necessary duration. It could have gone on forever." This, then, is the true soundtrack of Paris Dada. Several decades later radical American composer John Cage would take a similarly iconoclastic approach to music. A friend of Duchamp since 1942, Cage conceived Music of Changes with the aid of the I Ching; the piece is presented here in its complete form. "The Music of Changes is an object more inhuman than human since chance operations brought it into being," Cage wrote later. "Sounds come together to control a human being and give the work an alarming aspect of a Frankenstein monster." 70 minutes of music. CD booklet features archive images and detailed historical notes.

Par Hasard - Chance Composition 1913 - 1951

Music GB