Name: The Dreads At King Tubby's
Brand: Various

Bonus disc

Bonus disc: No

Catalogue number

KSLP080

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Colour

Black

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

14 Tracks

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Format Music GB

Limited edition

Release date

2022-11-18

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

5060135762674

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

KSCD080

{"blocks": [{"data": {"text": "KSCD080"}, "type": "paragraph"}]}

17 Tracks

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5060135762667

{"blocks": [{"data": {"text": "5060135762667"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Various

Genre GB

Reggae / Dub

Label GB

Kingston Sounds

Rastafarianism came to prominence in the late 1960’s / 1970’s and had a huge influence on the musical culture in Jamaica. The sentiments of the songs reflected the struggles of life, as reggae music always did but now with an added spiritual / conscious element to the lyrics. By the mid 1970’s most, if not all the topflight singers were following the doctrine and growing their har to dreadlocks. Everything was truly “Dread”.

At the heart of this musical explosion was again Bunny “Striker” Lee a man who was always at the heart ofthe action and many times in his career ahead of the musical game. As Bunny Lee’s stable of singers were at this time nearly all Rasta’s and with the worldwide acceptance of Bob Marley, in especially the foreignterritories, this musical style was the way forward for reggae music in the mid 1970’s. The visual focal point of this new turn in reggae music would be a call to all things “Dread”. Add to the mix Bunny Lee’s close working relationship with studio wizard King Tubby, again not a Rasta himself, but someone who could sonically bring what was needed to the table and enable the whole musical chemistry to fall into place.Heavy rhythms were created to match the heavy and serious lyrics and “Versions Galore” as they say werecoming out fast and furious.

Kingston Sounds have compiled a set of conscious tunes that not only match the “Dread” criteria, but also are just great tunes. The great Jacob Miller’s Zion Gates, Cornell Campbells Two Faced Rasta, Horace Andy’s It’s Gonna Be Dread alongside Linval Thompson’s Never Conquer Jah. Two timeless cuts from the The Abyssinians get a fresh outing by two great singers, firstly Don Carlos’ cut to Satta Massaganna and the prince of reggae himself, Dennis Brown works Declaration of Rights in fine style. Johnny Clarke’s Man like Me and Dem Say Rasta still sound as fresh today as when they were first laid down and Wayne Jarrett’s Live On Jah and Frankie Jones Satta and Praise Jah add to this great selection. All great “Dread” tunes that were cut or voiced at King Tubby’s giving them that extra shine.

The Dreads At King Tubby's

Music GB