Name: Praying Mantis / Koto Riddim
Brand: Walton

Bonus disc

Bonus disc: No

Catalogue number

tec099

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2017-10-20

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

Standard:20

UPC / Barcode

Total Cap

1 / 12" / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Walton

Genre GB

Bass / Breaks

Label GB

Tectonic Recordings

<p>Walton was an American jazz pianist born on 17 January 1934 in Dallas, Texas, USA. He had a remarkable career and made significant contributions to the world of music until his passing on 19 August 2013 in Brooklyn, New York, USA.</p>

<p>Known for his exceptional talent and unique style, Walton captivated audiences with his soulful performances. His mastery of the piano allowed him to effortlessly blend various genres into his compositions, creating a sound that was both innovative and captivating.</p>

<p>Influenced by a diverse range of artists such as *Scratcha DVA*, *Bok Bok*, *Pearson Sound*, and many others from the jazz and electronic music scenes, Walton's music resonated with listeners across different musical preferences. His ability to seamlessly fuse elements from these genres showcased his versatility as an artist.</p>

Walton drops his third instalment on Tectonic in fine style, calling upon Japanese influences to create a truly unique sonic across both tracks in the release. Asian instrumentation meets directly head to head with the cutting edge sounds of a UK grime-techno axis to great effect. ‘Praying Mantis’ captures all the charm of a fine Japanese watercolour painting by means of some spectacular midi-harp programming. Hi-hats and detailed percussion set a shuffling pace, building the moodup before a beautiful harp section unfolds and takes over, expertly programmed by Walton to sound as if a master harpist had stepped into the room! As drums and bass join the party we have all the makings of a low-slung grimey masterpiece, both soothing and energising in a perfect zen balance. Flip then for ‘Koto Riddim’ which again brings Japanese influences to the forefront of the track. Walton programs classic sounding Japanese percussion sounds along with grunting vocal cuts and a charming flute-based melody. As the track drops, it switches into a more familiar, grime-based palette of sounds, deftly arranged for most dangerous impact. 

Praying Mantis / Koto Riddim

Music GB