Album artwork for Love on My Mind by Bambara

With Love on My Mind – the six song mini-album, mixed by Claudius Mittendorfer (Tennis, Parquet Courts, Johnny Marr) – Bambara condense all the energy and darkness that have made them so compelling and rearrange it into something defiantly new. Opening track, Slither in the Rain, all hissing high-hat and spectral synthlines, is a true statement of intent. It’s minimal and atmospheric, foregrounding Bateh’s raw vocals as he introduces one of Love On My Mind’s main characters years after the events of the album are over, a lonely man who throws bottles at airplanes and dances a two-step in the pattern of a figure-8. While Bateh has always been adept at character sketches, tracks lke Slither introduce a newfound vulnerability that runs true through the entire album and cause the songs to hit on a more human level.

Similarly, Point And Shoot – in which each stanza describes the louche, lawless scenes of “rooftop girls / standing shoulder-to-shoulder, naked figures with their hips / cocked,” busted up jaws, and couches full of burn-holes captured by the snapshots of Love on My Mind’s female lead – displays an autobiographical intimacy that is not as apparent in Bambara’s previous releases.

This tenderness is echoed on Birds, a rare love song (from which the EP’s title is derived), and album closer Little Wars, a gripping finale of loneliness and isolation. But while these songs may display a softer side of Bambara, it’s important to note that they haven’t lost the thrill of what attracted so
many people to them in the first place. Mythic Love (featuring vocalsfrom Bria Salmena), with its driving bassline and ricocheting guitar lines, brings to mind past rave-ups like Serafina and Sunbleached Skulls but obliterates them in the process, while Feelin’ Like A Funeral – a dangerously oscillating tale of a city knifing – is probably the most thrillingly anthemic song the band have ever recorded.

Taken together, Love on My Mind amounts to another massive step forward for Bambara – the boldest thing they’ve ever done – and the sound of yet another breakthrough.

Bambara

Love on My Mind

Wharf Cat
Album artwork for Love on My Mind by Bambara
12"

$17.99

6 Song Mini Album.

Black
Released 03/25/2022Catalog Number

WCR112LP

Album artwork for Love on My Mind by Bambara
12" +

$25.99

exclusivesigned

6 Song Mini Album. Includes Signed Print and Lyric Chapbook.

Green
Rough Trade Exclusive
Signed Copy
Released 03/25/2022Catalog Number

WCR112LP-C1RT

Bambara

Love on My Mind

Wharf Cat
Album artwork for Love on My Mind by Bambara
12"

$17.99

6 Song Mini Album.

Black
Released 03/25/2022Catalog Number

WCR112LP

Album artwork for Love on My Mind by Bambara
12" +

$25.99

exclusivesigned

6 Song Mini Album. Includes Signed Print and Lyric Chapbook.

Green
Rough Trade Exclusive
Signed Copy
Released 03/25/2022Catalog Number

WCR112LP-C1RT

With Love on My Mind – the six song mini-album, mixed by Claudius Mittendorfer (Tennis, Parquet Courts, Johnny Marr) – Bambara condense all the energy and darkness that have made them so compelling and rearrange it into something defiantly new. Opening track, Slither in the Rain, all hissing high-hat and spectral synthlines, is a true statement of intent. It’s minimal and atmospheric, foregrounding Bateh’s raw vocals as he introduces one of Love On My Mind’s main characters years after the events of the album are over, a lonely man who throws bottles at airplanes and dances a two-step in the pattern of a figure-8. While Bateh has always been adept at character sketches, tracks lke Slither introduce a newfound vulnerability that runs true through the entire album and cause the songs to hit on a more human level.

Similarly, Point And Shoot – in which each stanza describes the louche, lawless scenes of “rooftop girls / standing shoulder-to-shoulder, naked figures with their hips / cocked,” busted up jaws, and couches full of burn-holes captured by the snapshots of Love on My Mind’s female lead – displays an autobiographical intimacy that is not as apparent in Bambara’s previous releases.

This tenderness is echoed on Birds, a rare love song (from which the EP’s title is derived), and album closer Little Wars, a gripping finale of loneliness and isolation. But while these songs may display a softer side of Bambara, it’s important to note that they haven’t lost the thrill of what attracted so
many people to them in the first place. Mythic Love (featuring vocalsfrom Bria Salmena), with its driving bassline and ricocheting guitar lines, brings to mind past rave-ups like Serafina and Sunbleached Skulls but obliterates them in the process, while Feelin’ Like A Funeral – a dangerously oscillating tale of a city knifing – is probably the most thrillingly anthemic song the band have ever recorded.

Taken together, Love on My Mind amounts to another massive step forward for Bambara – the boldest thing they’ve ever done – and the sound of yet another breakthrough.