Name: I Love You, It's Cool
Brand: Bear In Heaven

Bonus disc

Bonus disc: No

Catalogue number

DOC064lp

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

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Format Music US

Limited edition

Release date

2012-04-03

Signed copies

Signed copies: No

Supplier US

Secre­tly

Tax rate US

Sales:8.875

UPC / Barcode

656605136417

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Bear In Heaven

Genre US

Rock-Pop

Label US

Bear in Heaven is an artist who started out as Jon Philpot, alone in a studio in Atlanta. After moving to New York, he continued to pursue his passion for music while trying to find employment. Along the way, he met James Elliott and Sadek Bazarra, forming friendships based on their shared interests in art and music. Adam Wills soon joined the group, bringing his own talents to the mix. With Scott Herren releasing their first album and Joe Stickney joining on drums, Bear in Heaven began writing songs and captivating audiences with their unique sound.

Similar Artists: Here We Go Magic, Atlas Sound, Porcelain Raft, Memory Tapes, Lower Dens
Yeasayer, Small Black, Menomena,Tamaryn Neon Indian Twin Shadow Grizzly Bear Wild Nothing Deerhunter Young Magic I Break Horses Hooray For Earth Wild Beasts Lotus Plaza

after the release of their second album, 2010's 'beast rest forth mouth', big things began to happen for the brooklyn trio of jon philpot, joe stickney and adam wills, from the aforementioned accolades to an electrifying collection of remixes featuring some of electronic music's heaviest hitters, like the field and studio. as if in a transatlantic dream, they even split a single with norway's lindstrom and christabelle, who covered their calling card, 'lovesick teenagers.' but bear in heaven didn't settle for the new well of notoriety they'd opened. rather, they played some 200 shows in support of 'beast rest forth mouth' - touring the world, playing progressively bigger rooms, building an intricate stage show that turned an album of songs into a synesthetic experience. when it was over, they retrenched in brooklyn and, during the dead of summer, retreated to a chilly practice space to work harder than they'd ever worked on any other project. they wrote, re-wrote, arranged, re-arranged, spending days or weeks building one song at a time. after months of testing their limits and trusting their instincts, bear in heaven emerged with 'i love you, it's cool', an album so vivid and visionary that it meets and even exceeds the confidence and calm its title suggests. for years, bear in heaven existed as a nights-and-weekends band, the sort of project that was more of a casual hobby than a career path for a few southern natives who'd been living in the city for years. as such, they associated more with new york's experimental vanguards, whether playing at the late, great tonic or touring as a backbone for composer rhys chatham. but in 2010, 'beast rest forth mouth' delighted listeners with the unexpected - futuristic rock music that didn't sound alien or bound to ostracize. taking these songs from coast to coast and continent to continent, they learned that having fun with this music was copacetic, that they could delight a crowd while defying musical binaries. 'i love you, it's cool' turns that realization into a peerless set of instant anthems. "you come off of a tour, and you have ideas of what you found yourself enjoy playing over the last years," says wills. "it felt good when people would dance. we tried to turn that into a record, to emphasize that. but there's still an absolute need to take the pop song and ruin it." indeed, some of these songs are ready for the floor. on 'sinful nature,' a perfect, tiny guitar theme spirals through colossal drums and slabs of synthesizers, suggesting perpetual motion. 'cool light' booms with bliss, icy keyboards reflecting off of a relentless throb. it's inescapable. but the intricacy and edge of bear in heaven's music is not only here but sharper and more sophisticated than ever before. philpot's programming is both complex and compelling, whether in the refracted rainbows he warps on 'kiss me crazy' or the noisy matrix he weaves across 'space remains.' certainly, 'the reflection of you' feels like a hit, with a hook that instantly catches and a bridge that curls its finger - lyrically, stylistically, temptingly - toward the dance floor. philpot's mix of nostalgia and need is immediately relatable, too, bringing the band's exploratory sounds a little closer back to home. but the song exits in a moment space-rock ascendance, a readymade rock-club banger that erupts into a bold new direction. 'i love you, it's cool' is the first time bear in heaven has sounded so unapologetic and so evolved, so risky and so redeeming, so focused and so finessed. after years of restless exploration, this feels like a definitive arrival. 'i love you, it's cool' is music written in the present tense but ready to speak to the future. the work is its own rarified reward.

I Love You, It's Cool

Music US