Name: Flutterama
Brand: Half-Handed Cloud

Bonus disc

Bonus disc: No

Catalogue number

AKR147cd

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2022-06-17

Signed copies

Signed copies: No

Supplier US

Secre­tly

Tax rate US

Sales:8.875

UPC / Barcode

729920165438

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

AKR147lp-C1

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Brown

Opaque Brown Vinyl

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Extended format: Yes

729920165407

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1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / brown

Artist

Half-Handed Cloud

Genre US

Indie Pop / Shoegaze

Label US

Asthmatic Kitty

The new (7th) Half-Handed Cloud album, Flutterama, is a record of 18 jubilant indie-pop songs by John Ringhofer that investigate spiritual incompetence with lively arrangements and radiant melodies that skillfully dissolve into deterioration using herky-jerky tape manipulation, analog wow-and-flutter, and an animated orchestra of home-recorded sound effects.

Ringhofer’s work on Flutterama was inspired by Frances Mary Hunter Gordon’s adolescent liturgies (recorded at Abbey Road during The Beatles era), turbid sights and sounds in Guy Maddin films, audaciously bold forms in Sister Corita Kent’s devotional printmaking, the exquisite brittleness of Elizabeth Cotten’s voice, Alberto Burri’s stitched wound burlap assemblages, Alvar Aalto church design, Andrea Büttner’s poverty-informed artwork, Lou Barlow/Dinosaur Jr’s lo-fi “Poledo” sound collage (which name-checks Jesus), Julie Canlis book A Theology of the Ordinary, Wallace Berman's visual collage, and The Raincoats’ magnificently shaky D.I.Y. aesthetic.

The album’s tape-fiddled tunes - recorded on the very same 16-track recorder last serviced by a sound technician also employed by The Beach Boys in their home studio - employ surprisingly little synthesizer (“it felt like cheating,” says Ringhofer)—he preferred to craft most of the album’s effects the long way, frequently going behind the back of rock instrumentation by hand-feeding ½” magnetic reel recordings of chord organs, deflating balloons, some guitars, piano (occasionally tracked with a baby on his lap), brass, tablecloth swipes, and a quickly-cranked half-speed music box. He was assisted by long-time Half-h contributor Brandon Buckner on drums, and single-song backing vocals from Anacortes, WA songsmith John Van Deusen.

Flutterama

Music US