"With no disservice to his previous catalogue, this album is evidently Jamal Moss' most spaciously layered, heavily driven and lushly romantic under the Hieroglyphic Being alias, or any other for that matter: a physically-affective and mind-bending display of what he neatly terms Synth Expressionism or Rhythmic Cubism; taking the examples of his more recent collaborations with the Arkestra's Marshall Allen in J.I.T.U. Ahn-Sahm-Buhl or with Noleian Reusse as Africans With Mainframes into boldly singular new dimensions. In other words, it works on a lot of levels, and is perhaps his most successful consolidation of jazz, techno, avant-garde electronics and that unquantifiable "other" in his entire catalogue, quite clearly so in the majestic pinnacle of the title track, or the subterranean ritual of lysergic flash and bang in Sepulchral Offerings and his uncompromisingly psychedelic slammer, Nubian Energy."
"With no disservice to his previous catalogue, this album is evidently Jamal Moss' most spaciously layered, heavily driven and lushly romantic under the Hieroglyphic Being alias, or any other for that matter: a physically-affective and mind-bending display of what he neatly terms Synth Expressionism or Rhythmic Cubism; taking the examples of his more recent collaborations with the Arkestra's Marshall Allen in J.I.T.U. Ahn-Sahm-Buhl or with Noleian Reusse as Africans With Mainframes into boldly singular new dimensions. In other words, it works on a lot of levels, and is perhaps his most successful consolidation of jazz, techno, avant-garde electronics and that unquantifiable "other" in his entire catalogue, quite clearly so in the majestic pinnacle of the title track, or the subterranean ritual of lysergic flash and bang in Sepulchral Offerings and his uncompromisingly psychedelic slammer, Nubian Energy."