Name: Sandrider
Brand: Sandrider

Bonus disc

Bonus disc: No

Catalogue number

LP-SRR-005C

{"blocks": [{"data": {"text": "LP-SRR-005C"}, "type": "paragraph"}]}

Colour

Yellow

Colour details

Yellow with red splatter vinyl

{"blocks": [{"data": {"text": "Yellow with red splatter vinyl"}, "type": "paragraph"}]}

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Format Music US

Limited edition

Release date

2022-05-20

Signed copies

Signed copies: No

Supplier US

Redeye

Tax rate US

Sales:8.875

UPC / Barcode

634457093935

{"blocks": [{"data": {"text": "634457093935"}, "type": "paragraph"}]}

Total Cap

1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / yellow

Artist

Sandrider

Genre US

Metal

Label US

Satanik Royalty Records

Sandrider is a stoner rock band hailing from Seattle, WA. The trio consists of Jon Weisnewski on guitar and vocals, Nat Damm on drums, and Jesse Roberts on bass and vocals. With their powerful sound and energetic performances, Sandrider has become a force to be reckoned with in the music scene.
Influenced by the likes of Gozu, Danava, Akimbo, Witch Ripper, Helms Alee, Royal Thunder, Big Business, Whores, Rainbows Are Free, Isaak, Black Rainbows and more; Sandrider's music combines heavy riffs with catchy melodies to create a unique blend of stoner rock that will leave you craving for more.
Whether it's their explosive live shows or their critically acclaimed albums like "Sandrider" and "Godhead," Sandrider continues to push boundaries and captivate audiences worldwide. If you're a fan of hard-hitting rock music with an edge of grunge and psychedelia - *Sandrider* is definitely a band you don't want to miss!

If Sandrider marks a shift for Weisnewski and Damm, it’s more in the inclusion of Roberts and the overall presentation of their sound than in the style of their play. That said, Sandrider does have a more grounded feel to its material than did Akimbo; a maturation and natural next step from what they last presented. Songs vary in memorability, but each proves worthy in one way or another, and for the flow Sandrider establish across the album as a whole, nothing is out of place or unjustifiable. Roberts is an excellent complement for Weisnewski vocally, the two blending so well together that it’s hard to tell where tradeoffs are (other than backing spots), and Damm’s percussion adds a punk-ish sense of danger to the whole affair, whether it’s the rhythmic shifts of “Crysknife” or the driving finale of closer “Scatter.” Sandrider, because they’re not really a new band, don’t fall prey to what a lot of others might on their first record in terms of not fully realizing the vision of what they’re trying to accomplish, but at the same time, there’s a sense of potential in opener “Children” that speaks to the development of Sandrider as its own band and a hopefully ongoing project. The song has some surfy swagger and sway, and Weisnewski’s scream tops the cleaner singing excellently. His guitar is at the fore, but the balance of the mix is excellent, and Sandrider can strike into either accessibility or riffy abandon depending on the band’s whim.

Music US