Name: Open For Business
Brand: Smoke Bellow

Bonus disc

Bonus disc: No

Catalogue number

TIM165cd

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2021-09-17

Signed copies

Signed copies: No

Supplier US

Secre­tly

Tax rate US

Sales:8.875

UPC / Barcode

793420071209

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Total Cap

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

TIM165lp

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Black

793420071186

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Smoke Bellow

Genre US

Rock-Pop

Label US

Trouble in Mind

Transcontinental, experimental duo Smoke Bellow have been at it since 2012, relocating from Australia to Baltimore, MD &amp; back again and then BACK AGAIN (now firmly settled in Baltimore). The duo released the Blooming/Middling LP in 2014, followed by Isolation 3000 in 2018 (both on Baltimore label Ehse Records). After a line-up shuffle, they eventually recruited one of their favorite drummers and dear friend, Emmanuel Nicolaidis (Thank You, Oh Hang), which found the duo refining of their sound into a dizzyingly attractive mixture of kosmiche serenity, minimalist composition, test-card psychedelia, and highlife guitar.

With Open for Business, their latest album and first for Trouble In Mind Records, the three members set out to create a set of songs more immediate and bare than previous outings. The album title itself is a cheeky reference to Maryland governor Larry Hogan’s less than inspired motto “we’re open for business”. Half of the songs were written in a room together and the second half via email (for obvious reasons). At the time they were listening to a lot of post punk and were struck with the partnership of drums and bass as propulsive instruments. The trio started writing songs around that idea - with the rhythm as a brace to hang their decorations.

Sonically, Smoke Bellow are inspired by disparate sources. The heyday of Compass Point studios’ famed rhythm section of Sly and Robbie sustained them for months. Others included good old VU, ESG, guitar hero Zani Diabate, The Raincoats (especially their under-appreciated second album, Odyshape), the frenetic sound collisions of the Flying Lizards, the ever warm blanket of Yo La Tengo, the evolving repetition of Stereolab, the understated genius of Asa Osborne, as well as Philip Glass and Steve Reich. The David Byrne/Robert Wilson "Knee plays" reminded them of the joy of the spoken word set to music. Lyrically, Best &amp; McHugh drew from life in Baltimore, from isolation (again), memories of life in Melbourne, their friends and each other. “We wanted to talk about resilience and resistance,” says Best. Recording and mixing took place between a remote cabin in the Smoky Mountains and Tempo House in Baltimore with Jared Paolini. “Maybe Something” includes cello from Owen Gardner (Horse Lords). Words on"Night Light" by Daniel Stephensen.

Open For Business

Music US