Name: Third
Brand: Soft Machine

Bonus disc

Bonus disc: No

Catalogue number

SNYB687293.2

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Colour

Colour details

Discogs ID

Format multiplier

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

180 Gram Vinyl

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Format Music US

Limited edition

Release date

2018-04-11

Signed copies

Signed copies: No

Supplier US

Tax rate US

Sales:8.875

UPC / Barcode

828768729328

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Total Cap

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No

Artist

Soft Machine

Genre US

60s & 70s

Label US

Music On Vinyl

A vinyl only record label that releases high quality 180g LP and 7" vinyl pressings of titles licensed from a wide range of record companies and artists who control their own repertoire.

Soft Machine is an English rock and jazz band from Canterbury, formed in mid-1966. The band was named after the novel "The Soft Machine" by William S. Burroughs. Led by Australian artist Daevid Allen, the group was influenced by the emerging Beat Generation and the music philosophies of Sun Ra. They started as a free-jazz outfit called the Daevid Allen Trio before evolving into Soft Machine with members Robert Wyatt, Mike Ratledge, and Kevin Ayers. Their eponymous album released in 1968 is considered a classic of the late 1960s psychedelic era.

The band gained popularity on London's psychedelic scene and performed at various iconic venues such as The Marquee and UFO club. They also took part in notable events like the '14 Hour Technicolor Dream' alongside Pink Floyd and Velvet Underground. Despite several lineup changes over the years, Soft Machine continued to push boundaries with their experimental sound.

Today, Soft Machine remains active with current members John Etheridge on guitar, Theo Travis on saxophone/flute/piano, Fred T. Baker on bass (since 2022), and Asaf Sirkis on drums (since 2023). Their music continues to captivate audiences with its unique blend of rock and jazz influences.

Soft Machine plunged deeper into jazz and contemporary electronic music on this pivotal release, which incited The Village Voice to call it a milestone achievement when it was released. It's a double album of stunning music, with each side devoted to one composition -- two by Mike Ratledge, and one each by Hopper and Wyatt, with substantial help from a number of backup musicians, including Canterbury mainstays Elton Dean and Jimmy Hastings. The Ratledge songs come closest to fusion jazz, although this is fusion laced with tape loop effects and hypnotic, repetitive keyboard patterns. Hugh Hopper's "Facelift" recalls "21st Century Schizoid Man" by King Crimson, although it's more complex, with several quite dissimilar sections. The pulsing rhythms, chaotic horn and keyboard sounds, and dark drones on "Facelift" predate some of what Hopper did as a solo artist later (this song was actually culled from two live performances in 1970). On his capricious composition "Moon in June," Robert Wyatt draws on musical ideas from early 1967 demos done with producer Giorgio Gomelsky. Lyrically, it's a satirical alternative to the pretension displayed by a lot of rock writing of the era, and combined with the Softs' exotic instrumentation, it makes for quite a listen (the compilation Triple Echo includes a BBC broadcast recording of "Moon in June" with different albeit equally fanciful lyrics, and the Robert Wyatt archival collection '68, released by Cuneiform in 2013, features a remastered version of Wyatt's original demo of the song, recorded in the U.S. following the Softs' tour opening for the Jimi Hendrix Experience). Not exactly rock, Third nonetheless pushed the boundaries of rock into areas previously unexplored, and it managed to do so without sounding self-indulgent. A better introduction to the group is either of the first two records, but once introduced, this is the place to go.

Third

Music US