Name: Super Dark Times
Brand: Ben Frost

Tax rate EU

Default:19

Supplier EU

The Orchard/SPV (Membran)

Total Cap

Format detail

Colour details

Discogs ID

Limited edition

Colour

Format Music EU

Extended format

Extended format: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Signed copies

Signed copies: No

Download code

Download code: No

Bonus disc

Bonus disc: No

Release date

2017-09-29

Format multiplier

Catalogue number

BFR21

UPC / Barcode

888608668064

Artist

Ben Frost

Label EU

Genre EU

Ben Frost is a composer and producer born in Melbourne, Australia in 1980. Currently based in Reykjavik, Iceland, Frost has established himself as a prominent figure in the music industry. His unique soundscapes have captivated audiences worldwide.

Frost's compositions draw inspiration from various genres, blending elements of ambient, electronic, and experimental music. His work often evokes intense emotions and creates immersive sonic experiences. With a distinct style that pushes boundaries and challenges conventions, Frost has become known for his innovative approach to composition.

Similar artists to *Ben Frost* include Tim Hecker, Deaf Center, Fennesz, Hildur Guðnadóttir, Murcof, Loscil, William Basinski, Rafael Anton Irisarri,
Machinefabriek,Taylor Deupree The Dead Texan alva noto Richard Skelton Lawrence English A Winged Victory for the Sullen Christina Vantzou Celer Pan-American Tomasz Bednarczyk Akira Rabelais

Newest Listed Items

This new soundtrack album features 13 original compositions by the acclaimed experimental composer Ben Frost, creator of the critically-lauded studio albums by The Throat (2009) and Aurora (204), as well as music for the film Sleeping Beauty and 2015 British television series Fortitude. For this release the artist creates vivid minimalist textures that capture the drama of the compelling new film Super Dark Times. “When Kevin Phillips approached me to write music for his film it resonated immediately. As a composer, the thing that perhaps excited me the most is that Super Dark Times, is in many ways of a period drama, and that within that idea there was a largely untapped world of sound to explore. Whilst the sound of the ‘80s had long since moved into the realm of retro, 1995 still feels uncomfortably close. CD Walkmans, digital delays, Boss Metal Zone distortion pedals, Intel Pentium chips, and Peavey practice amps inadvertently defined the music of the period (and my teenage years), and it was from that world of technology and my own memories of the confusion, the anxiety, the black hair dye the music for Super Dark Times was born.

Super Dark Times

Music EU